Playing in the dark : whiteness and the literary imagination / Toni Morrison.

Pulitzer Prize-winning novelist Toni Morrison brings the genius of a master writer to this personal inquiry into the significance of African-Americans in the American literary imagination. Her goal, she states at the outset, is to "put forth an argument for extending the study of American literature...

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Bibliographic Details
Main Author: Morrison, Toni
Language:English
Published: Cambridge, Mass. : Harvard University Press, 1992.
Series:William E. Massey, Sr. lectures in the history of American civilization ; 1990.
Jack and Susan Davis Rare Book Collection.
Subjects:
Genre:
Local Note:
MSU: Copy 4 gift of Jack and Susan Davis.
MSU: Copy 4 in dust jacket.
Physical Description:xiii, 91 pages ; 22 cm.
Format: Book

MARC

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505 0 |a Black matters -- Romancing the shadow -- Disturbing nurses and the kindness of sharks. 
520 |a Pulitzer Prize-winning novelist Toni Morrison brings the genius of a master writer to this personal inquiry into the significance of African-Americans in the American literary imagination. Her goal, she states at the outset, is to "put forth an argument for extending the study of American literature ... draw a map, so to speak, of a critical geography and use that map to open as much space for discovery, intellectual adventure, and close exploration as did the original charting of the New World--without the mandate for conquest." Author of Beloved, The Bluest Eye, Song of Solomon, and other vivid portrayals of black American experience, Morrison ponders the effect that living in a historically racialized society has had on American writing in the nineteenth and twentieth centuries. She argues that race has become a metaphor, a way of referring to forces, events, and forms of social decay, economic division, and human panic. Her compelling point is that the central characteristics of American literature--individualism, masculinity, the insistence upon innocence coupled to an obsession with figurations of death and hell--are responses to a dark and abiding Africanist presence. Through her investigation of black characters, narrative strategies, and idiom in the fiction of white American writers, Morrison provides a daring perspective that is sure to alter conventional notions about American literature. She considers Willa Cather and the impact of race on concept and plot; turns to Poe, Hawthorne, and Melville to examine the black force that figures so significantly in the literature of early America; and discusses the implications of the Africanist presence at the heart of Huckleberry Finn. A final chapter on Ernest Hemingway is a brilliant exposition of the racial subtext that glimmers beneath the surface plots of his fiction. Written with the artistic vision that has earned her a preeminent place in modern letters, Playing in the Dark will be avidly read by Morrison admirers as well as by students, critics, and scholars of American literature. 
590 |a MSU: Copy 4 gift of Jack and Susan Davis. 
590 |a MSU: Copy 4 in dust jacket. 
650 0 |a American literature  |x White authors  |x History and criticism.  |0 http://id.loc.gov/authorities/subjects/sh85004336 
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