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00000cam a22000004a 4500 |
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in00003601927 |
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OCoLC |
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20220616121623.0 |
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060907t20072007mauaf b 001 0 eng |
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|a 2006029839
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|a 0262050838 (hardcover : alk. paper)
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|a 9780262050838 (hardcover : alk. paper)
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035 |
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|a (OCoLC)71322227
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|a DLC
|c DLC
|d BAKER
|d BTCTA
|d C#P
|d YDXCP
|d UtOrBLW
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|a n-us---
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|a EEMA
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0 |
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|a N6538.N5
|b E54 2007
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082 |
0 |
0 |
|a 704.03/96073
|2 22
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100 |
1 |
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|a English, Darby,
|d 1974-
|0 http://id.loc.gov/authorities/names/no2005017775
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245 |
1 |
0 |
|a How to see a work of art in total darkness /
|c Darby English.
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260 |
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|a Cambridge, Mass. :
|b MIT Press,
|c [2007], ©2007.
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300 |
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|a xii, 356 pages, 16 unnumbered pages of plates :
|b illustrations (some color) ;
|c 24 cm
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336 |
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|a text
|b txt
|2 rdacontent
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337 |
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|a unmediated
|b n
|2 rdamedia
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338 |
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|a volume
|b nc
|2 rdacarrier
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504 |
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|a Includes bibliographical references (pages 313-344) and index.
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505 |
0 |
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|a Beyond black representational space -- A new context for reconstruction: some crises of landscape in Kara Walker's silhouette installations -- Fantasias of the museum -- Painting problems -- Aesthetics of dispossession: William Pope.L's performance interventions.
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650 |
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|a African American art
|y 20th century.
|0 http://id.loc.gov/authorities/subjects/sh85001790
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907 |
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|y .b54028449
|b 160819
|c 070907
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998 |
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|a ar
|b 071024
|c m
|d a
|e -
|f eng
|g mau
|h 0
|i 2
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994 |
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|a 92
|b EEM
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f |
f |
|i 2e3dcc96-08d9-5fd0-b1c7-42ee3676ef7e
|s d714ef1d-6b30-505d-8042-50a5f68a8b34
|t 0
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952 |
f |
f |
|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Art Library
|d MSU Art Library
|t 0
|e N6538.N5 E54 2007
|h Library of Congress classification
|i Printed Material
|m 31293026019798
|n 1
|