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| 001 |
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OCoLC |
| 005 |
20220616142800.0 |
| 008 |
030304s2004 maua b 001 0 eng |
| 010 |
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|a 2003004935
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| 020 |
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|a 063122582X (hbk. : alk. paper)
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| 020 |
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|a 9780631225829 (hbk. : alk. paper)
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| 020 |
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|a 0631225838 (pbk. : alk. paper)
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| 020 |
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|a 9780631225836 (pbk. : alk. paper)
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| 035 |
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|a (OCoLC)51837654
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| 040 |
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|a DLC
|c DLC
|d BAKER
|d NLGGC
|d CRH
|d BTCTA
|d LVB
|d YDXCP
|d EEM
|d UtOrBLW
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|a n-us---
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|a EEMR
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| 050 |
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|a PN1995.9.M56
|b B46 2004
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| 082 |
0 |
0 |
|a 791.43/6520693
|2 21
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| 100 |
1 |
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|a Benshoff, Harry M.,
|d 1963-
|0 http://id.loc.gov/authorities/names/n96075799
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| 245 |
1 |
0 |
|a America on film :
|b representing race, class, gender, and sexuality at the movies /
|c Harry M. Benshoff and Sean Griffin.
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| 260 |
|
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|a Malden, MA :
|b Blackwell Pub.,
|c 2004.
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| 300 |
|
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|a xvi, 371 pages :
|b illustrations ;
|c 26 cm
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| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
|
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
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|a pt. I. Culture and American film -- 1. Introduction to the study of film form and representation -- Film form -- American ideologies : discrimination and resistance -- Culture and cultural studies -- Case study : The Lion King (1994) -- Questions for discussion -- Further reading -- 2. The structure and history of Hollywood filmmaking -- Hollywood vs. independent film -- The style of Hollywood cinema -- The business of Hollywood -- The history of Hollywood : the movies begin -- The classical Hollywood cinema -- World War II and postwar film -- "New" Hollywood and the blockbuster mentality -- Questions for discussion -- Further reading -- Further screening --
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| 505 |
0 |
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|a pt. II. Race and ethnicity and American film -- Introduction to part II : what is race? -- 3. The concept of whiteness and American film -- Seeing white -- Bleaching the green : the Irish in American cinema -- Looking for respect : the Italian in American cinema -- A special case : Jews and Hollywood -- Case study : The Jazz Singer (1927) -- Questions for discussion -- Further reading -- Further screening -- 4. African Americans and American film -- African Americans in early film -- Blacks in classical Hollywood cinema -- World War II and the postwar social problem film -- The rise and fall of blaxploitation filmmaking -- Box : Blacks on TV -- Hollywood in the 1980s and the arrival of Spike Lee -- Black independent film vs. "neo-blaxploitation" today -- Case study : Bamboozled (2000) -- Questions for discussion -- Further reading -- Further screening -- 5. Native Americans and American film -- The American "Indian" before film -- Ethnographic films and the rise of the Hollywood western -- The evolving western -- A kinder, gentler America? -- Case study : Smoke Signals (1998) -- Questions for discussion -- Further reading -- Further screening -- 6. Asian Americans and American film -- Silent film and Asian images -- Asians in classical Hollywood cinema -- World War II and after : war films, miscegenation melodramas, and kung fu -- Asian American actors and filmmakers today -- Case study : Eat a Bowl of Tea (1989) -- Questions for discussion -- Further reading -- Further screening -- 7. Latinos and American film -- The greaser and the Latin lover : alternating stereotypes -- World War II and after : the good neighbor policy -- The 1950s to the 1970s : back to business as usual? -- Expanding opportunities in recent decades -- Case study : My Family/Mi Familia (1995) -- Questions for discussion -- Further reading -- Further screening --
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| 505 |
0 |
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|a pt. III. Class and American film -- Introduction to part III : what is class? -- 8. Classical Hollywood cinema and class -- Setting the stage : the Industrial Revolution -- Early cinema : the rise of the Horatio Alger myth -- Hollywood and unionization -- Class in the classical Hollywood cinema -- Case study : The Grapes of Wrath (1940) -- Conclusion : recloaking class consciousness -- Questions for discussion -- Further reading -- Further screening -- 9. Cinematic class struggle after the depression -- From World War II to the Red Scare -- From opulence to counterculture -- New Hollywood and the resurrection of the Horatio Alger myth -- Case study : Bulworth (1998) -- Conclusion : corporate Hollywood and labor today -- Questions for discussion -- Further reading -- Further screening --
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| 505 |
0 |
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|a pt. IV. Gender and American film -- Introduction to part IV : what is gender? -- 10. Women in classical Hollywood filmmaking -- Images of women in early cinema -- Early female filmmakers -- Images of women in 1930s classical Hollywood -- World War II and after -- Case study : All That Heaven Allows (1955) -- Questions for discussion -- Further reading -- Further screening -- 11. Exploring the visual parameters of women in film -- Ways of seeing -- "Visual pleasure and narrative cinema" -- Case study : Gilda (1946) -- Conclusion : complicating Mulvey's arguments -- Questions for discussion -- Further reading -- Further screening -- 12. Masculinity in classical Hollywood filmmaking -- Masculinity and early cinema -- Masculinity and the male movie star -- World War II and film noir -- Case study : Dead Reckoning (1947) -- Conclusion : masculinity in 1950s American film -- Questions for discussion -- Further reading -- Further screening -- 13. Gender in American film since the 1960s -- Second wave feminism and Hollywood -- Into the 1980s : a backlash against women? -- A new generation of female filmmakers -- Case study : The Ballad of Little Jo (1993) -- Conclusion : gender at the turn of the millennium -- Questions for discussion -- Further reading -- Further screening --
|
| 505 |
0 |
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|a pt. V. Sexuality and American film -- Introduction to part IV : what is sexuality? -- 14. Heterosexuality, homosexuality, and classical Hollywood -- (Hetero)sexuality on screen -- (Homo)sexuality in early film -- Censoring sexuality during the classical Hollywood era -- Postwar sexualities and the weakening of the production code -- Camp and the underground cinema -- Case study : The Celluloid Closet (1995) -- Questions for discussion -- Further reading -- Further screening -- 15. Sexualities on film since the sexual revolution -- Hollywood and the sexual revolution -- Film and gay culture from Stonewall to AIDS -- The AIDS crisis -- Queer theory and new queer cinema -- Case study : Go Fish (1995) -- Conclusions : Hollywood today -- Questions for discussion -- Further reading -- Further screening -- Glossary.
|
| 650 |
|
0 |
|a Minorities in motion pictures.
|0 http://id.loc.gov/authorities/subjects/sh85085831
|
| 650 |
|
0 |
|a Motion pictures
|z United States.
|0 http://id.loc.gov/authorities/subjects/sh85088112
|
| 650 |
1 |
7 |
|a Films.
|2 gtt
|
| 650 |
1 |
7 |
|a Etnisch bewustzijn.
|2 gtt
|
| 650 |
1 |
7 |
|a Klassentegenstellingen.
|2 gtt
|
| 650 |
1 |
7 |
|a Sekseverschillen.
|2 gtt
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| 650 |
1 |
7 |
|a Seksualiteit.
|2 gtt
|
| 650 |
|
6 |
|a Minorités au cinéma.
|
| 650 |
|
6 |
|a Cinéma
|z États-Unis.
|
| 700 |
1 |
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|a Griffin, Sean.
|0 http://id.loc.gov/authorities/names/n86060771
|
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|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Main Library
|d MSU Main Library
|t 0
|e PN1995.9.M56 B46 2004
|h Library of Congress classification
|i Printed Material
|m 31293034182273
|n 1
|
