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00000cam a22000004a 4500 |
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in00003727475 |
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OCoLC |
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20220616144541.0 |
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080317t20082008ncuaf b 001 0 eng |
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|a 2008012512
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|a 221141574
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|a 9780807832561 (cloth : alk. paper)
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|a 0807832561 (cloth : alk. paper)
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|a 9780807859339 (pbk. : alk. paper)
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|a 0807859338 (pbk. : alk. paper)
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|a (OCoLC)213495400
|z (OCoLC)221141574
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|a DLC
|c DLC
|d YDX
|d BAKER
|d YDXCP
|d BTCTA
|d CDX
|d UtOrBLW
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|a n-us---
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|a EEMA
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|a N6538.N5
|b B47 2008
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082 |
0 |
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|a 700.89/96073
|2 22
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100 |
1 |
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|a Bernier, Celeste-Marie.
|0 http://id.loc.gov/authorities/names/n2008019353
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245 |
1 |
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|a African American visual arts :
|b from slavery to the present /
|c Celeste-Marie Bernier.
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260 |
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|a Chapel Hill :
|b University of North Carolina Press,
|c [2008], ©2008.
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300 |
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|a xii, 264 pages, 16 pages of plates :
|b illustrations (chiefly color) ;
|c 23 cm
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336 |
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|a text
|b txt
|2 rdacontent
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337 |
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|a unmediated
|b n
|2 rdamedia
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338 |
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|a volume
|b nc
|2 rdacarrier
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504 |
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|a Includes bibliographical references (pages 234-257) and index.
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505 |
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|a 'The slave who paints': beginnings and the visual arts tradition -- 'Establishing an art era' in the Harlem renaissance -- Struggle, survival and early abstraction -- 'Images are weapons': history, narrative and a people's art -- 'Art comes to have a life of its own': aesthetics, experimentation and a new visual language -- 'Racist pathology is the muck': towards a transgressive visual poetics.
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650 |
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0 |
|a African American art.
|0 http://id.loc.gov/authorities/subjects/sh85001790
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907 |
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|y .b58515306
|b 160819
|c 081017
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|a ar
|b 081117
|c m
|d a
|e -
|f eng
|g ncu
|h 0
|i 2
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|a 92
|b EEM
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999 |
f |
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|i b59dd2be-4207-5dad-8002-683a37e04acc
|s e794cf28-5944-5bf4-b2c9-c64a6dcab9c0
|t 0
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952 |
f |
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|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Art Library
|d MSU Art Library
|t 0
|e N6538.N5 B47 2008
|h Library of Congress classification
|i Printed Material
|m 31293012472266
|n 1
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