Bridget Riley : paintings and related works / Colin Wiggins, Michael Bracewell, Marla Prather.
"Bridget Riley: Arcadia" will mark the artist's long engagement with the National Gallery. Colin Wiggins explains with great clarity and enthusiasm how the fluid lines of Renaissance and Baroque paintings, together with their palette of ochres, salmon, greens and light blues translate into the abstr...
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| Language: | English |
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London : [New Haven, Conn.] :
National Gallery Co. ; Distriubted by Yale University Press,
2010.
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| Physical Description: | 78 pages (1 folded) : illustrations (chiefly color) ; 27 cm |
| Variant Title: |
Paintings and related works. |
| Format: | Book |
MARC
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|---|---|---|---|
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| 003 | OCoLC | ||
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| 016 | 7 | |a 015601266 |2 Uk | |
| 020 | |a 9781857094978 | ||
| 020 | |a 1857094972 | ||
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| 035 | |a (OCoLC)642214248 | ||
| 040 | |a ERASA |c ERASA |d OCLCQ |d YDXCP |d UKM |d CDX |d NGA |d CGU |d UKTTE |d BWX |d UtOrBLW | ||
| 049 | |a EEMA | ||
| 082 | 0 | 4 | |a 700.411.2 |
| 090 | |a ND497.R54 |b A4 2010b | ||
| 100 | 1 | |a Riley, Bridget, |d 1931- |0 http://id.loc.gov/authorities/names/n50045167 | |
| 245 | 1 | 0 | |a Bridget Riley : |b paintings and related works / |c Colin Wiggins, Michael Bracewell, Marla Prather. |
| 246 | 3 | 0 | |a Paintings and related works. |
| 260 | |a London : |b National Gallery Co. ; |a [New Haven, Conn.] : |b Distriubted by Yale University Press, |c 2010. | ||
| 300 | |a 78 pages (1 folded) : |b illustrations (chiefly color) ; |c 27 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 500 | |a Published on the occasion of an exhibition held at the National Gallery, London, Nov. 24, 2010-May 22, 2011. | ||
| 504 | |a Includes bibliographical references (page 74). | ||
| 520 | 8 | |a "Bridget Riley: Arcadia" will mark the artist's long engagement with the National Gallery. Colin Wiggins explains with great clarity and enthusiasm how the fluid lines of Renaissance and Baroque paintings, together with their palette of ochres, salmon, greens and light blues translate into the abstracted shapes that appear in Riley's paintings. Marla Prather looks at how the techniques and methods of modern masters such as Cezanne, Seurat and Matisse also act as an important influence in her paintings. Exhibition: National Gallery, London (16.11.2010). | |
| 600 | 1 | 0 | |a Riley, Bridget, |d 1931- |v Exhibitions. |0 http://id.loc.gov/authorities/names/n50045167 |
| 600 | 1 | 0 | |a Riley, Bridget, |d 1931- |0 http://id.loc.gov/authorities/names/n50045167 |
| 700 | 1 | |a Wiggins, Colin. |0 http://id.loc.gov/authorities/names/nr93004900 | |
| 700 | 1 | |a Bracewell, Michael, |d 1958- |0 http://id.loc.gov/authorities/names/n88177304 | |
| 700 | 1 | |a Prather, Marla. |0 http://id.loc.gov/authorities/names/n88230561 | |
| 710 | 2 | |a National Gallery (Great Britain) |0 http://id.loc.gov/authorities/names/n80081622 | |
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| 952 | f | f | |p Can Circulate |a Michigan State University-Library of Michigan |b Michigan State University |c MSU Art Library |d MSU Art Library |t 0 |e ND497.R54 A4 2010b |h Library of Congress classification |i Printed Material |m 31293031995214 |n 1 |