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|a 2011034930
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|a 9780226280554 (hardcover : alkaline paper)
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|a 0226280551 (hardcover : alkaline paper)
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|a (CaEvSKY)sky240307926
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|a (OCoLC)714301813
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|a NC980.5.R43
|b G3513 2011
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|a 759.4092
|a B
|2 23
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| 100 |
1 |
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|a Gamboni, Dario.
|0 http://id.loc.gov/authorities/names/n84084058
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| 240 |
1 |
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|a Plume et le pinceau.
|l English
|0 http://id.loc.gov/authorities/names/no2011127644
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| 245 |
1 |
4 |
|a The brush and the pen :
|b Odilon Redon and literature /
|c Dario Gamboni ; translated by Mary Whittall.
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| 260 |
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|a Chicago ;
|a London :
|b University of Chicago Press,
|c 2011.
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| 263 |
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|a 1112.
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| 300 |
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|a xxi, 401 pages :
|b illustrations
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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|a The artist and his myth -- The quest for origins and their effacement -- Indecision and artistic vocation -- Art versus determinism -- The painter as poet-philosopher -- The review of the 1868 salon -- The later writings -- The ethical basis of drawing -- Recourse to literary sources -- Entering the artistic field -- A late start, individualism, and marginal status -- Lithography as an expedient -- Astray on the boulevard? : the exhibitions of 1881 and 1882 -- The writers' role -- Introductions -- Redon and the decadents: homologies and affinities -- Criticism and its interests -- J.-K. Huysmans, priority, and primacy -- Writers as artists' agents -- Criticism as transubstantiation -- Portraits of the bourgeois as an artist -- The Edgar Poe of the graphic arts -- A literary public, a literary art? -- The question of illustration -- Translating Poe -- Literary references, titles, captions, and albums -- "On the frontiers of all the arts" -- J.-K. Huysmans and poetic criticism -- An album and its transposition -- J.-K. Huysmans, "the new album by Odilon Redon" -- The homage to Goya campaign and the crystallization of symbolism -- The technique and principles of transposition -- Face of mystery: iconology and communication -- Pre-iconographical analysis -- From Dürer to Pascal: sources, comparisons, and the semantic field -- Face of mystery as self-portrait: an image of the artist and of art -- Face of mystery as a mirror -- Ambiguity, exegesis, and a community of equals oo -- The expanse and the limits of the restricted field -- Internationalism and marginality -- Proselytism and exclusiveness -- The limitations of literary friendships -- Estrangement from Huysmans and the move to the right bank -- Redon's change of direction -- The turning point explained -- The end of artistic isolation -- Illustration as interpretation -- La tentation: avatars of literary associations -- The "renaissance of lithography" -- "Consecration" and ambiguities of symbolism -- The primacy of admirers and the limits of recognition -- Redon in the arena of criticism -- Avowals, denials, and polemics -- The brush takes up the pen: the late writings -- New views of art, literature, and criticism -- Friends and foes: the pen and the brush -- A posthumous triumph -- Family quarrels -- A fin-de-siècle crisis in artist-writer relations -- The rise of formalism and the complicity of adversaries.
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| 600 |
1 |
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|a Redon, Odilon,
|d 1840-1916
|x Criticism and interpretation.
|0 http://id.loc.gov/authorities/names/n50046104
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| 600 |
1 |
0 |
|a Huysmans, J.-K.
|q (Joris-Karl),
|d 1848-1907.
|0 http://id.loc.gov/authorities/names/n79065248
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| 650 |
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|a Illustration of books
|z France
|y 19th century
|x Themes, motives.
|0 http://id.loc.gov/authorities/subjects/sh2008123024
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| 650 |
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0 |
|a Ut pictura poesis (Aesthetics)
|0 http://id.loc.gov/authorities/subjects/sh85141581
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| 952 |
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|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Remote Storage
|d MSU Remote Storage
|t 0
|e NC980.5.R43 G3513 2011
|h Library of Congress classification
|i Printed Material
|m 31293032530960
|n 1
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