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in00005021051 |
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OCoLC |
| 005 |
20220616040657.0 |
| 008 |
111107s2012 ilu b s001 0 eng |
| 010 |
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|a 2011046230
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| 020 |
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|a 9780252036613 (cloth)
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| 020 |
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|a 9780252078316 (pbk.)
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| 035 |
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|a (CaEvSKY)sky244847143
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| 035 |
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|a (OCoLC)719427890
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|a DLC
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|a pcc
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|a EEMR
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| 050 |
0 |
0 |
|a PN1995.9.S47
|b G46 2012
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| 082 |
0 |
0 |
|a 791.43/6522
|2 23
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| 245 |
0 |
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|a Gender meets genre in postwar cinemas /
|c edited by Christine Gledhill.
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| 260 |
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|a Urbana :
|b University of Illinois Press,
|c 2012.
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| 263 |
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|a 1201.
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| 300 |
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|a 274 pages
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
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|a Introduction / Christine Gledhill -- Refiguring genre and gender. The genius of genre and ingenuity of women / Jane Gaines -- No fixed address: the women's picture from outrage to blue steel / Pam Cook -- Circulating emotion: race, gender, and genre in Crash / E. Deidre Pribram -- 100% pure adrenaline: gender and generic surface in Point break / Luke Collins -- Postfeminism and generic re-inventions. Troubling genre/reconstructing gender / E. Ann Kaplan -- Bodies and genres in transition: girlfight and real women have curves / Yvonne Tasker -- Private femininity, public femininity: tactical aesthetics in the costume film / Samiha Matin -- Generic gleaning: Agnès Varda, documentary, and the art of salvage / Lucy Fischer -- Gender aesthetics in "male" genres. It's a Mann's world? / Adam Segal -- Up close and personal: faces and names in Casualties of war / Deborah Thomas -- Gender hyperbole and the uncanny in the horror film: The shining / Katie Model -- Genre and gender transnational. Emotion, subjectivity, and the limits of desire: melodrama and modernity in Bombay cinema, 1940s-50s / Ira Bhaskar -- Woman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong / Xiangyang Chen -- Homoeroticism contained: gender and sexual translation in John Woo's Migration to Hollywood / Vicente Rodriguez Ortega -- Generic "trans-ings": between genres, genders, and sexualities. Trash comes home: gender/genre subversion in the films of John Waters / Derek Kane-Meddock -- Femme fatale or lesbian femme: bound in sexual différance / Chris Straayer -- "The gay cowboy movie": queer masculinity on Brokeback Mountain / Steven Cohan.
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| 650 |
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|a Sex role in motion pictures.
|0 http://id.loc.gov/authorities/subjects/sh89005585
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| 650 |
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|a Motion pictures and women.
|0 http://id.loc.gov/authorities/subjects/sh97002393
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| 650 |
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|a Feminism and motion pictures.
|0 http://id.loc.gov/authorities/subjects/sh85047748
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| 650 |
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|a Film genres.
|0 http://id.loc.gov/authorities/subjects/sh86003119
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| 650 |
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|a Women in motion pictures.
|0 http://id.loc.gov/authorities/subjects/sh85147593
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| 650 |
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|a Men in motion pictures.
|0 http://id.loc.gov/authorities/subjects/sh85083529
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| 700 |
1 |
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|a Gledhill, Christine.
|0 http://id.loc.gov/authorities/names/n87831904
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| 952 |
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|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Remote Storage
|d MSU Remote Storage
|t 0
|e PN1995.9.S47 G46 2012
|h Library of Congress classification
|i Printed Material
|m 31293030816072
|n 1
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