|
|
|
|
LEADER |
00000cam a2200000 a 4500 |
001 |
in00005089740 |
003 |
OCoLC |
005 |
20220616051819.0 |
008 |
120413t20122012inua b o001 0 eng |
010 |
|
|
|a 2012013047
|
020 |
|
|
|a 9780253002952 (cloth : alk. paper)
|
020 |
|
|
|a 0253002958 (cloth : alk. paper)
|
020 |
|
|
|a 9780253005748 (pbk. : alk. paper)
|
020 |
|
|
|a 0253005744 (pbk. : alk. paper)
|
020 |
|
|
|a 9780253008770 (ebook)
|
020 |
|
|
|a 0253008778 (ebook)
|
035 |
|
|
|a (CaEvSKY)sky247461886
|
035 |
|
|
|a (OCoLC)756596905
|
040 |
|
|
|a DLC
|c DLC
|d DLC
|d UtOrBLW
|
042 |
|
|
|a pcc
|
043 |
|
|
|a n-us---
|
049 |
|
|
|a QEMN
|
050 |
0 |
0 |
|a PN1590.H57
|b P47 2012
|
082 |
0 |
0 |
|a 790.20868
|2 23
|
245 |
0 |
0 |
|a Performing the US Latina & Latino borderlands /
|c edited by Arturo J. Aldama, Chela Sandoval, and Peter J. García.
|
246 |
3 |
|
|a Performing the US Latina and Latino borderlands.
|
260 |
|
|
|a Bloomington :
|b Indiana University Press,
|c [2012], ©2012.
|
300 |
|
|
|a xv, 504 pages :
|b illustrations ;
|c 23 cm
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a unmediated
|b n
|2 rdamedia
|
338 |
|
|
|a volume
|b nc
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references and index.
|
505 |
0 |
|
|a Introduction: toward a de-colonial performatics of the US Latina and Latino borderlands / Chela Sandoval, Arturo J. Aldama, and Peter J. García -- Performing emancipation: inner work, public acts. Body as codex-ized word / Cuerpo Como Palabra (en-)Códice-ado: Chicana/Indígena and Mexican transnational performative indigeneities / Micaela Díaz-Sánchez -- Milongueando macha homoerotics: dancing the tango, torta style (a performative testimonio) / Maria Lugones -- The other train that derails us: performing Latina anxiety disorder in "The night before Christmas" / Angie Chabram-Dernersesian -- The art of place: the work of Diane Gamboa / Karen Mary Davalos -- Human rights, conditioned choices, and performance in Ana Castillo's Mixquihuala letters / Carl Gutiérrez-Jones -- Decolonizing gender performativity: a thesis for emancipation in early Chicana feminist thought (1969-1979) / Daphne V. Taylor-García -- Ethnographies of performance: the Río Grande and beyond. Performing indigeneity in a South Texas community: los matachines de La Santa Cruz / Norma E. Cantú -- Re-membering Chelo Silva: the bolero in chicana perspective (women's bodies and voices in postrevolutionary urbanization: the bohemian, urban, and transnational) / Yolanda Broyles-González -- Roland Barthes, mojado, in brownface: chisme-laced snapshots documenting the preposterous and fact-laced claim that the postmodern was born along the borders of the Río Grande River / William Anthony Nericcio -- Decolonial border queers: case studies of chicana/o lesbians, gay men, and transgender folks in El Paso/Juárez / Emma Pérez -- "Te amo, te amo, te amo": Lorenzo Antonio and Sparx performing Nuevo México music / Peter J. García -- Sonic geographies and anti-border musics: "we didn't cross the border, the borders crossed us" / Roberto D. Hernández -- Lila Downs's borderless performance: transculturation and musical communication / Brenda M. Romero -- Nepantla aesthetics in the trans/nacional el macho: how the women of Teatro Luna became men / Paloma Martínez-Cruz and Liza Ann Acosta -- Suturing las ramblas to East LA: transnational performances of Josefina López's Real women have curves / Tiffany Ana López -- Loving revolution: same-sex marriage and queer resistance in Monica palacios's Amor y revolución / Marivel T. Danielson -- Is Ugly Betty a real woman? representations of Chicana femininity inscribed as a site of (transformative) difference / Jennifer Esposito -- Indian icon, gay macho: Felipe Rose of Village people / Gabriel S. Estrada -- (De)criminalizing bodies: ironies of performance. No somos criminales: crossing borders in contemporary Latina and Latino music / Arturo J. Aldama -- "Pelones y matones": chicano cholos perform for a punitive audience / Victor M. Rios and Patrick Lopez-Aguado -- Mexican hip hop: male expressive culture / Pancho McFarland -- The Latino comedy project and border humor in performance / Jennifer Alvarez Dickinson -- (Re)examining the Latin lover: screening chicano/latino sexualities / Daniel Enrique Pérez -- Rumba's democratic circle in the age of legal simulacra / Berta Jottar-Palenzuela.
|
650 |
|
0 |
|a Hispanic Americans in the performing arts.
|0 http://id.loc.gov/authorities/subjects/sh2001005253
|
650 |
|
0 |
|a Hispanic Americans
|x Ethnic identity.
|0 http://id.loc.gov/authorities/subjects/sh85061055
|
700 |
1 |
|
|a Aldama, Arturo J.,
|d 1964-
|0 http://id.loc.gov/authorities/names/n2001103073
|
700 |
1 |
|
|a Sandoval, Chela,
|d 1956-
|0 http://id.loc.gov/authorities/names/n00095155
|
700 |
1 |
|
|a García, Peter J.
|0 http://id.loc.gov/authorities/names/n2004034708
|
907 |
|
|
|y .b98482749
|b 160828
|c 130124
|
998 |
|
|
|a cv
|b 130426
|c m
|d a
|e -
|f eng
|g inu
|h 0
|i 2
|
999 |
f |
f |
|i 69f3dd21-938d-5aa9-861a-643399a669d4
|s 84883d99-1b0c-5f73-ad89-b8908dbcb0bd
|t 0
|
952 |
f |
f |
|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Remote Storage
|d MSU Remote Storage
|t 0
|e PN1590.H57 P47 2012
|h Library of Congress classification
|i Printed Material
|m 31293032983664
|n 1
|