The Oxford handbook of Chinese cinemas / edited by Carlos Rojas and Eileen Cheng-Yin Chow.
"Offering both a platform for cross-disciplinary dialogue and a mapping of Chinese cinema as an expanded field, this Handbook presents thirty-three essays by leading researchers and scholars intent on yielding new insights and new analyses using three different methodologies. Chapters in Part I inve...
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| Language: | English |
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Oxford ; New York :
Oxford University Press,
[2013]
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| Physical Description: | xvii, 709 pages : illustrations ; 26 cm |
| Variant Title: |
Chinese cinemas. |
| Format: | Book |
Contents:
- Jianhua Chen / D.W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai
- Kristine Harris / Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty
- David Der-wei Wang / Fei Mu, Mei Lanfang, and the Polemics of Screening China
- Jie Li / A National Cinema for a Puppet State: The Manchurian Motion Picture Association
- Yomi Braester / A Genealogy of Cinephilia in the Maoist Period
- Poshek Fu / Cold War Politics and Hong Kong Mandarin Cinema
- Tsung-yi Michelle Huang / Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema
- Song Hwee Lim / Taiwan New Cinema: Small Nation with Soft Power
- Michael Berry / Chinese Cinema with Hollywood Characteristics, or How The Karate Kid became a Chinese Film
- Pheng Cheah / World as Picture and Ruination: On Jia Zhangke's Still Life as World Cinema
- Stephen Teo / The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form
- Emilie Yueh-yu Yeh / A Small History of Wenyi
- Ban Wang / Art, Politics, and Internationalism: Korean War Films in Chinese Cinema
- Gary Xu / Edification through Affection: The Cultural Revolution Films, 1974-76
- Michael Eng / Reforming Vengeance: Kung Fu and the Racial Melancholia of Chinese Masculinity
- Sean Metzger / Desire and Distribution: Queer/Chinese/Cinema
- Yingjin Zhang / Thirdspace Between Flows and Places: Chinese Independent Documentary and Social Theories of Space and Locality
- Ying Zhu / From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama
- Audrey Yue / New Media: Large Screens in China
- Paola Voci / Online Small Screen Cinema: The Cinema of Attractions and the Emancipated Spectator
- Jason McGrath / Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film
- James Tweedie /.
- Edward Yang and Taiwan's Age of Auteurs
- Darrell William Davis / A Marriage of Convenience: Musical Moments in Chinese Films
- Zhiwei Xiao / Policing Film in Early 20th Century China, 1905-1923
- Laikwan Pang / Between Will and Negotiation: Film Policy in the First Three Years of People's Republic of China
- Rey Chow / Fetish Power Unbound: A Small History of 'Woman' in Chinese Cinema
- Louisa Schein / Ethnographic Representation Across Genres: The Culture Trope in Contemporary Mainland Media
- Andy Rodhekohr / Conjuring the Masses: The Spectral / Spectacular Crowd in Chinese Film
- Kwai-Cheung Lo / The Idea of Asia(nism) and Trans-Asian Productions
- Eugene Wang / Film and Contemporary Chinese Art: Mediums and Remediation
- Ying Qian / Crossing the Same River Twice: Documentary Re-enactment and the Founding of PRC Documentary Cinema
- Yiman Wang / Remade in China: Cinema with "Chinese Elements" in the Dapian Age
- Carlos Rojas / Along the Riverrun: Cinematic Encounters in Tsai Ming-liang's The River.