Bamako / a New Yorker Films release ; Archipel 33, Chinguitty Films, Mali Images présentent une coproduction ARTE France en association avec Louverture Films ; un film de Abderrahmane Sissako ; scénario et réalisation, Abderrahmane Sissako ; producteurs délégués Denis Freyd, Abderrahmane Sissako.

Melé, a bar singer, and her unemployed husband Chaka are on the verge of breaking up. In the courtyard of the house they share with other families in Bamako, the capital city of Mali, African civil society representatives have taken proceedings against such international financial institutions as th...

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Bibliographic Details
Uniform Title:Rovi Media Collection. Movies.
Corporate Authors: New Yorker Films
Archipel 33 (Firm)
Chinguitty Films (Firm)
Mali Images (Firm)
ARTE France
Louverture Films (Firm)
New Yorker Video (Firm)
Other Authors: Sissako, Abderrahmane (Screenwriter, Director, Producer)
Freyd, Denis (Producer)
Maïga, Aïssa
Traoré, Tiécoura
Diarra, Hélène
Dembélé, Habib
Koné, Djénéba, 1992-2011
Sall, Aïssata Tall
Rappaport, Roland
Bourdon, William
Konaté, Mamadou Kani
Savadogo, Mamadou
Glover, Danny
Language:French
Bambara
English
Language of the Original:
French
Bambara
Language and/or Writing System:
French and Bambara dialogue, English subtitles.
Published: [New York] : New Yorker Video, [2007]
Series:Rovi Media Collection. Movies.
Subjects:
Genre:
Physical Description:1 videodisc (approximately 117 min.) : sound, color ; 4 3/4 in. + 1 booklet.
Format: Video DVD

MARC

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508 |a Director of photography, Jacques Besse ; editor, Nadia Ben Rachid ; costumes, Maji-da Abdi ; production designer, Mahamadou Kouyaté. 
520 |a Melé, a bar singer, and her unemployed husband Chaka are on the verge of breaking up. In the courtyard of the house they share with other families in Bamako, the capital city of Mali, African civil society representatives have taken proceedings against such international financial institutions as the World Bank and the International Monetary Fund, whom they blame for Africa's woes. As numerous trial witnesses air bracing indictments against the multinational economic machinery that haunts them, life in the courtyard presses forward. 
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