Narco cinema : sex, drugs, and banda music in Mexico's B-filmography / Ryan Rashotte.

"This book provides the first comprehensive study of narco cinema, a cross-border exploitation cinema that, for over forty years, has been instrumental in shaping narco-culture in Mexico and the US borderlands. Identifying classics in its mammoth catalogue and analyzing select films at length, Rasho...

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Bibliographic Details
Uniform Title:Latino pop culture.
Main Author: Rashotte, Ryan, 1979- (Author)
Language:English
Published: New York, NY : Palgrave Macmillan, 2015.
Edition:First edition.
Series:Latino pop culture.
Subjects:
Genre:
Physical Description:xviii, 196 pages : illustrations ; 23 cm.
Format: Book

MARC

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245 1 0 |a Narco cinema :  |b sex, drugs, and banda music in Mexico's B-filmography /  |c Ryan Rashotte. 
250 |a First edition. 
264 1 |a New York, NY :  |b Palgrave Macmillan,  |c 2015. 
300 |a xviii, 196 pages :  |b illustrations ;  |c 23 cm. 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
490 1 |a Latino pop culture 
504 |a Includes bibliographical references (pages 165-189) and index. 
505 8 |a Machine generated contents note: -- Introduction: Oye, Lecteur 1. What is Narco Cinema? 2. Hecho de coca: A Sentimental Education 3. Two Foul Score of the Brothers Almada 4. Narcas y Narcos 5. -- and Narco Gays? 
520 |a "This book provides the first comprehensive study of narco cinema, a cross-border exploitation cinema that, for over forty years, has been instrumental in shaping narco-culture in Mexico and the US borderlands. Identifying classics in its mammoth catalogue and analyzing select films at length, Rashotte outlines the genre's history and aesthetic criteria. He approaches its history as an alternative to mainstream representation of the drug war and considers how its vernacular aesthetic speaks to the anxieties and desires of Latina/o audiences by celebrating regional cultures while exploring the dynamics of global transition. Despite recent federal prohibitions, narco cinema endures as a popular folk art because it reflects distinctively the experiences of those uprooted by the forces of globalization and critiques those forces in ways mainstream cinema has failed"--  |c Provided by publisher. 
650 0 |a Drugs in motion pictures.  |0 http://id.loc.gov/authorities/subjects/sh85039767 
650 0 |a Exploitation films  |z Mexico  |x History and criticism.  |0 http://id.loc.gov/authorities/subjects/sh99014985 
650 7 |a ART / Film & Video.  |2 bisacsh 
650 7 |a PERFORMING ARTS / Film & Video / General.  |2 bisacsh 
650 7 |a PERFORMING ARTS / Film & Video / History & Criticism.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE / Popular Culture.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE / Regional Studies.  |2 bisacsh 
650 7 |a Drugs in motion pictures.  |2 fast  |0 (OCoLC)fst00898978. 
650 7 |a Exploitation films.  |2 fast  |0 (OCoLC)fst00918549. 
651 7 |a Mexico.  |2 fast  |0 (OCoLC)fst01211700. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635. 
830 0 |a Latino pop culture.  |0 http://id.loc.gov/authorities/names/no2014032836 
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