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in00005565580 |
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OCoLC |
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20220616143817.0 |
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151125s2016 miua b 001 0 eng |
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|a 2015046845
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|a 930825195
|a 932163094
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|a 9780472119752
|q hardcover
|q alkaline paper
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|a 0472119753
|q hardcover
|q alkaline paper
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|z 9780472121649
|q electronic book
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|z 0472121642
|q electronic book
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|a (OCoLC)944160345
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|a DLC
|b eng
|e rda
|c DLC
|d YDX
|d ERASA
|d YDXCP
|d BDX
|d BTCTA
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|a pcc
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|a EEMM
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0 |
0 |
|a ML3916
|b .G72 2016
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082 |
0 |
0 |
|a 781.64
|2 23
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100 |
1 |
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|a Graham, Stephen
|c (Musicologist),
|e author.
|0 http://id.loc.gov/authorities/names/n2016010635
|
245 |
1 |
0 |
|a Sounds of the underground :
|b a cultural, political, and aesthetic mapping of underground and fringe music /
|c Stephen Graham.
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264 |
|
1 |
|a Ann Arbor :
|b University of Michigan Press,
|c [2016]
|
300 |
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|a viii, 295 pages ;
|c 24 cm.
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336 |
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|a text
|b txt
|2 rdacontent
|
337 |
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|a unmediated
|b n
|2 rdamedia
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338 |
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|a volume
|b nc
|2 rdacarrier
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490 |
1 |
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|a Tracking Pop
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504 |
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|a Includes bibliographical references and index.
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520 |
8 |
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|a In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from traditional high-art institutions. Until now there has been little scholarly discussion of underground music and its cultural, political, and aesthetic importance. In addition to providing a much-needed historical outline of this diverse scene, Stephen Graham focuses on the digital age, showing the underground and its fringes as based largely in radical anti-capitalist politics and aesthetics, tied to the political contexts and structures of late-capitalism. Sounds of the Underground explores these various ideas of separation and capture through interviews and analysis, developing a critical account of both the music and its political and cultural economy.
|
650 |
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0 |
|a Underground music
|x Social aspects.
|0 http://id.loc.gov/authorities/subjects/sh2016000444
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650 |
|
0 |
|a Underground music
|x Political aspects.
|0 http://id.loc.gov/authorities/subjects/sh2016000444
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650 |
|
0 |
|a Underground music
|x History and criticism.
|0 http://id.loc.gov/authorities/subjects/sh2016000444
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650 |
|
0 |
|a Subculture.
|0 http://id.loc.gov/authorities/subjects/sh85129417
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830 |
|
0 |
|a Tracking pop.
|0 http://id.loc.gov/authorities/names/no2007053749
|
907 |
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|y .b119274401
|b 210211
|c 160601
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|a mu
|b 160622
|c m
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|e -
|f eng
|g miu
|h 0
|i 2
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|a 92
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|i 42406213-12e7-524b-9c14-c274be817ab5
|s dff90ef3-5923-5433-a155-cdb3bf478cf7
|t 0
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952 |
f |
f |
|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Music Library
|d MSU Music Library
|t 0
|e ML3916 .G72 2016
|h Library of Congress classification
|i Printed Material
|m 31293033852058
|n 1
|