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00000cam a2200000 i 4500 |
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in00005603375 |
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OCoLC |
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20220616152730.0 |
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151120s2016 ilua b 001 0 eng c |
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|a 2015046019
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|a 9780226144054 (cloth : alk. paper)
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|a 0226144054 (cloth : alk. paper)
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|a 9780226144061 (pbk. : alk. paper)
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|a 0226144062 (pbk. : alk. paper)
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|z 9780226375519 (e-book)
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8 |
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|a 40026449793
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035 |
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|a (OCoLC)930508848
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040 |
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|a ICU/DLC
|b eng
|e rda
|c CGU
|d DLC
|d BDX
|d YDXCP
|d BTCTA
|d OCLCF
|d YAM
|d VP@
|d YUS
|d UtOrBLW
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|a pcc
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049 |
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|a EEMR
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0 |
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|a QL85
|b .D485 2016
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082 |
0 |
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|a 590
|2 23
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100 |
1 |
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|a Desmond, Jane,
|e author.
|0 http://id.loc.gov/authorities/names/n86025442
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245 |
1 |
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|a Displaying death and animating life :
|b human-animal relations in art, science, and everyday life /
|c Jane C. Desmond.
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264 |
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1 |
|a Chicago ;
|a London :
|b The University of Chicago Press,
|c 2016.
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300 |
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|a x, 333 pages :
|b illustrations ;
|c 24 cm.
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336 |
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|a text
|b txt
|2 rdacontent
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337 |
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|a unmediated
|b n
|2 rdamedia
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338 |
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|a volume
|b nc
|2 rdacarrier
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490 |
1 |
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|a Animal lives
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504 |
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|a Inculdes bibliographical references and index.
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505 |
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|a 1. Introduction: Passionate encounters with animals in everyday life -- beyond the mainstream -- Part One. Theaters of the dead : humans and nonhuman animals. 2. Postmortem exhibitions : taxidermied animals and plastinated corpses in the theaters of the dead ; 3. Inside "animal" and outside "culture" : the limits to "sameness" and rhetorics of salvation in von Hagens's Animal Inside Out Body Worlds exhibition -- Part Two. Mourning and the unmourned. 4. On the margins of death : pet cemeteries and mourning practices ; 5. Grievable lives and new kinships : pet cemeteries and the changing geographies of death ; 6. Animal deaths and the written record of history : the inflammatory politics of pet obituaries in newspapers ; 7. Requiem for roadkill : death, denial, and mourning on America's roads -- Part Three. Animating life : cognition, expressivity, and the art market. 8. "Art" by animals. Part 1, The transnational market for art by (nonprimate) animals ; 9. "Art" by animals. Part 2, When the artist is an ape -- popular and scientific discourse and paintings by primates -- 10. Conclusion: "Every bird a 'Blueboy' " and why it matters for "animal studies" -- Notes -- Index.
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650 |
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|a Human-animal relationships.
|0 http://id.loc.gov/authorities/subjects/sh85062838
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650 |
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|a Human-animal relationships in mass media.
|0 http://id.loc.gov/authorities/subjects/sh2015001774
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650 |
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|a Human-animal relationships in art.
|0 http://id.loc.gov/authorities/subjects/sh2009000129
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650 |
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7 |
|a Human-animal relationships.
|2 fast
|0 (OCoLC)fst00963482
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650 |
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7 |
|a Human-animal relationships in art.
|2 fast
|0 (OCoLC)fst01903521
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650 |
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7 |
|a Human-animal relationships in mass media.
|2 fast
|0 (OCoLC)fst01923062
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830 |
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0 |
|a Animal lives (University of Chicago. Press)
|0 http://id.loc.gov/authorities/names/no2015155857
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907 |
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|y .b120816362
|b 170112
|c 161118
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952 |
f |
f |
|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Main Library
|d MSU Main Library
|t 0
|e QL85 .D485 2016
|h Library of Congress classification
|i Printed Material
|m 31293035330095
|n 1
|