Fan fiction from universes other than Star Trek collection.

Fan fiction from universes other than Star Trek collection consists of fan fiction based in the universes depicted in comics, literature, science fiction, popular television series, and other popular culture arenas. The fan fiction dates from 1975 through 2011.

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Bibliographic Details
Language:English
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Online Access:
Local Note:
MSU: 2Fan Fiction From Universes Other Than Star Trek3 is a collection assembled at the Michigan State University Libraries from donations by several individuals from the 1980s into the 2000s, who preferred to remain anonymous. In general, collectors of fan fiction zines may acquire material from vendors at fan conventions, by mail order from zine publishers, or through private exchanges with other collectors.
MSU: The material is stored offsite in Remote Storage. Please contact Special Collections 3 working days in advance if you wish to use it.
Physical Description:8.4 linear ft. (10 boxes)
Format: Kit
Description
Summary:
Fan fiction from universes other than Star Trek collection consists of fan fiction based in the universes depicted in comics, literature, science fiction, popular television series, and other popular culture arenas. The fan fiction dates from 1975 through 2011.
Call Number:MSS 483
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Cite As:
Item, Folder number and/or title, Box number, Fan Fiction from universes other than Star Trek collection, MSS 483, Special Collections, MSU Libraries, Michigan State University, East Lansing, MI
Source of Acquisition:
2Fan Fiction From Universes Other Than Star Trek3 is a collection assembled at the Michigan State University Libraries from donations by several individuals from the 1980s into the 2000s, who preferred to remain anonymous. In general, collectors of fan fiction zines may acquire material from vendors at fan conventions, by mail order from zine publishers, or through private exchanges with other collectors.
Location of Other Archival Materials:
MSU Special Collections' MSS 482 contains Star Trek fanfiction. The University of Iowa has a number of fandom-related collections, many of which include fanfiction. See http://www.lib.uiowa.edu/sc/resources/FandomResources/
Biographical Sketch:
2Fan fiction3 is a genre of writing in which fans of a television show, film, or other media property write their own stories featuring the characters of the fictional universe. Fan fiction is viewed by some as a violation of copyright, and by others as a transformative work which does not infringe on the original. Fan fiction has its roots in storytelling practices going back to antiquity, such as the tellings and re-tellings of the King Arthur legend. Fan fiction as a contemporary phenomenon emerged in the 1970s, as a small minority of fans –virtually all women – began to write and exchange their own Star Trek stories. An unusual element for that time was that many of the stories featured a same-sex couple: James T. Kirk, captain of the starship Enterprise, and his executive officer, Commander Spock. Many of the stories were sexually explicit. (The characters were depicted as heterosexual and unattached in the television episodes.) Stories about Kirk and Spock as romantic partners, whether sexually explicit or not, were labeled 2K/S3 and the forward slash separating their initials gave rise to the term 2slash3 as a name for fanfiction about two male characters in a romantic relationship. Relationships between two male characters became the premise underlying fiction in many other fandoms as well, continuing up to the present day. The (far less numerous) stories about relationships between two female characters are usually called 2femslash.3 Stories about heterosexual relationships are sometimes referred to as 2het,3 while stories with no romantic or sexual content are often called 2gen,3 short for general or general audience. In many fan circles there is an expectation that gen stories should be appropriate for younger readers, so that excessive violence is either avoided or noted in reader warnings. Much has been written, both in scholarly circles and in fans’ discussion forums, about the significance of slash fiction. In the first several decades of slash writing, the male characters in a relationship were almost never depicted as actually being homosexual – a trope sometimes known as 2We’re not gay, we just love each other.3 As gay liberation has progressed in North America, it has become common for characters in a ‘slash’ relationship to be depicted as openly gay or bisexual. A related trope is 2I’m only gay for you,3 about situations where a straight male character falls in love with a gay character, despite his orientation, thanks to their strong sexual or romantic chemistry. Despite its emphasis on intimacy between men, slash is generally perceived to be quite distinct from gay fiction – that is, stories written for a gay male audience. The writers and readers of slash fiction are almost entirely female, while the writers and readers of mainstream gay male fiction are predominantly male. Slash is frequently concerned with the emotional aspects of a relationship. Since female characters in film and television are often subordinate in some way to the male characters, some readers have expressed appreciation for slash, with its intimacy between two strong male characters, as a depiction of love between equals. It has also been argued that, despite the focus on male characters, slash is a form of erotica written by women for women, and can therefore be considered feminist in nature. This collection includes fan fiction zines from many different fictional universes, including slash, het, and gen stories. Most contain stories from only one fictional universe within the covers of a single volume. Those with stories from multiple universes are called 2multimedia zines3 (series 13 of this finding aid.) In this context, multimedia does not refer to the use of music or images, only to the multiple media properties which have inspired the fiction in a single publication.