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|a 2016035716
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|a 9780295999562 (hardcover : alk. paper)
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|a 9780295999579 (pbk. : alk. paper)
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|a 0295999578 (pbk. : alk. paper)
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|a (OCoLC)946461475
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|a IEN/DLC
|b eng
|e rda
|c INU
|d DLC
|d YDXCP
|d BTCTA
|d OCLCO
|d OCLCF
|d ERASA
|d NDD
|d UtOrBLW
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|a pcc
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| 049 |
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|a EEMA
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0 |
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|a N8232
|b .M54 2017
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| 082 |
0 |
4 |
|a 704.0396
|2 23
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| 245 |
0 |
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|a Migrating the Black body :
|b the African diaspora and visual culture /
|c edited by Leigh Raiford and Heike Raphael-Hernandez.
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| 264 |
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1 |
|a Seattle :
|b University of Washington Press,
|c [2017]
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| 300 |
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|a 365 pages, 16 unnumbered pages of plates :
|b illustrations (some color) ;
|c 26 cm
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
0 |
|t Introduction /
|r Leigh Raiford and Heike Raphael-Hernandez --
|g Part 1. Making Blackness serve --
|t Containing bodies; enscandalizing enslavement: stasis and movement at the juncture of slave-ship images and texts /
|r Carsten Junker --
|t Russian blackamoors: from grand-manner portraiture to alphabet in pictures /
|r Irina Novikova --
|t Migrating images of the Black body politic and the sovereign state: Haiti in the 1850s /
|r Karen N. Salt --
|t Playing the white knight: Badin, chess, and Black self-fashioning in eighteenth-century Sweden /
|r Joachim Östlund --
|t Making Blackness serve China: the image of Afro-Asia in Chinese political posters /
|r Robeson Taj Frazier --
|g Part 2. Dreaming diasporas --
|t The glamorous one-two punch: visualizing celebrity, masculinity, and boxer Alfonso Teofilo Brown in early twentieth-century Paris /
|r Lyneise Williams --
|t The here and now of Eslanda Robeson's African journey /
|r Leigh Raiford --
|t Black and Cuba: an interview with filmmaker Robin J. Hayes /
|r Robin J. Hayes and Julia Roth --
|t Return to which roots? Interracial documemoirs by Macky Alston, Eliachi Kimaro, and Mo Asumang /
|r Cedric Essi --
|t Dreaming diasporas /
|r Cheryl Finley --
|g Part 3. Differently Black --
|t Differently Black: the fourth great migration and Black Catholic saints in Ramin Bahrani's Goodbye solo and Jim Sheridan's In America /
|r Charles I. Nero --
|t Coloured in South Africa: an interview with filmmaker Kiersten Dunbar Chace and photojournalist Rushay Booysen /
|r Sonja Georgi and Pia Wiegmink --
|t When home meets diaspora at the door of no return: cinematic encounters in Sankofa and Little Senegal /
|r Heike Raphael-Hernandez --
|t Of plastic ducks and cockle pickers: African Atlantic artists and critiques of bonded labor across chronologies /
|r Alan Rice --
|t At home, online: affective exchange and the diasporic body in Ghanaian internet video /
|r Reginold A. Royston --
|g Part 4. Afro-fabulation --
|t Habeas ficta: fictive ethnicity, affecting representations, and slaves on screen /
|r Tavia Nyong'o --
|t The Black body as photographic image: video light in postcolonial Jamaica /
|r Krista Thompson --
|t The Not-Yet Justice League: fantasy, redress, and transatlantic Black history on the comic book page /
|r Darieck Scott.
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| 520 |
8 |
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|a Migrating the Black Body" explores how visual media - from painting to photography, from global independent cinema to Hollywood movies, from posters and broadsides to digital media, from public art to graphic novels -has shaped diasporic imaginings of the individual and collective self. How is the travel of black bodies reflected in reciprocal black images? How is blackness forged and remade through diasporic visual encounters and reimagined through revisitations with the past? And how do visual technologies structure the way we see African subjects and subjectivity? This volume brings together an international group of scholars and artists who explore these questions in visual culture for the historical and contemporary African diaspora. Examining subjects as wide-ranging as the appearance of blackamoors in Russian and Swedish imperialist paintings, the appropriation of African and African American liberation images for Chinese Communist Party propaganda, and the role of YouTube videos in establishing connections between Ghana and its international diaspora, these essays investigate routes of migration, both voluntary and forced, stretching across space, place, and time.
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| 650 |
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0 |
|a African diaspora in art.
|0 http://id.loc.gov/authorities/subjects/sh2005005282
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| 650 |
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0 |
|a Art.
|0 http://id.loc.gov/authorities/subjects/sh85007461
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| 650 |
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0 |
|a Black people in mass media.
|0 http://id.loc.gov/authorities/subjects/sh91005196
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| 650 |
|
7 |
|a African diaspora in art.
|2 fast
|0 (OCoLC)fst01902318
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| 650 |
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7 |
|a Art.
|2 fast
|0 (OCoLC)fst00815177
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| 650 |
|
7 |
|a Black people in mass media.
|2 fast
|0 (OCoLC)fst00834026
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| 700 |
1 |
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|a Raiford, Leigh,
|e editor,
|e author.
|0 http://id.loc.gov/authorities/names/n2005077404
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| 700 |
1 |
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|a Raphael-Hernandez, Heike,
|e editor,
|e author.
|0 http://id.loc.gov/authorities/names/nr2001006904
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|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Art Library
|d MSU Art Library
|t 0
|e N8232 .M54 2017
|h Library of Congress classification
|i Printed Material
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