Louise Lawler : receptions / Roxana Marcoci.

"Published in conjunction with the exhibition 'Louise Lawler: WHY PICTURES NOW', at The Museum of Modern Art, this volume charts the creative practice of one of the most influential artists working in the fields of picture-making and institutional critique. For the past 40 years, Louise Lawler has r...

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Bibliographic Details
Uniform Title:Works. Selections
Main Author: Marcoci, Roxana (Author, Curator)
Corporate Author: Museum of Modern Art (New York, N.Y.) (Host institution, Publisher, Issuing body)
Other Authors: Lawler, Louise (Artist)
Language:English
Language and/or Writing System:
Text in English.
Published: New York, New York : Museum of Modern Art, [2017]
Subjects:
Genre:
Physical Description:255 pages : illustrations (chiefly color) ; 32 cm
Variant Title:
Receptions
Why pictures now [Added title page title]
Format: Book

MARC

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500 |a Published in conjunction with the exhibition 'Louise Lawler: WHY PICTURES NOW', at The Museum of Modern Art, New York, April 30-July 30, 2017. 
504 |a Includes bibliographical references (pages 238-246) and index. 
505 0 0 |t Foreword /  |r Glenn D. Lowry --  |t An Exhibition Produces /  |r Roxana Marcoci --  |t Property and Community in the Recent Work /  |r Rhea Anastas --  |t Deceptions: 'yes, but", "re-", "huh?", "post-", "oh yes!" /  |r Mieke Bal --  |t WAR IS TERROR /  |r Douglas Crimp --  |t Louise Lawler's Play Technique /  |r Rosalyn Deutsche --  |t More Jokes about Autonomy and the Private Sphere / dr Diedrich Diederichsen --  |t Object Confusion: Louise Lawler's Printed Matter /  |r David Platzker --  |t Lawler's Victory /  |r Julian Stallabrass. 
518 |o "Louise Lawler: WHY PICTURES NOW" :  |d April 30-July 30, 2017,  |p The Museum of Modern Art, New York, New York, United States. 
520 8 |a "Published in conjunction with the exhibition 'Louise Lawler: WHY PICTURES NOW', at The Museum of Modern Art, this volume charts the creative practice of one of the most influential artists working in the fields of picture-making and institutional critique. For the past 40 years, Louise Lawler has raised questions about art-about the circumstances that produce it, its circulation and the societal frameworks in which it appears. Many of the ideas that arise out of her work relate to theories of reception, the belief that the meaning of an artwork shifts and morphs depending on who looks at it and where it is seen. As the title of this publication suggests, many kinds of reception are possible."--Amazon. 
546 |a Text in English. 
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