Black post-blackness : the Black Arts Movement and twenty-first-century aesthetics / Margo Natalie Crawford.
A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's...
Saved in:
| Main Author: | |
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| Language: | English |
| Published: |
Urbana, Illinois :
University of Illinois Press,
2017.
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| Series: | New Black studies series.
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| Subjects: | |
| Physical Description: | xi, 264 pages : illustrations ; 23 cm. |
| Format: | Book |
MARC
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| 050 | 4 | |a N6490 |b .C62 2017 | |
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| 100 | 1 | |a Crawford, Margo Natalie, |d 1969- |e author. |0 http://id.loc.gov/authorities/names/n2005028610 | |
| 245 | 1 | 0 | |a Black post-blackness : |b the Black Arts Movement and twenty-first-century aesthetics / |c Margo Natalie Crawford. |
| 264 | 1 | |a Urbana, Illinois : |b University of Illinois Press, |c 2017. | |
| 300 | |a xi, 264 pages : |b illustrations ; |c 23 cm. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a New Black Studies Series | |
| 504 | |a Includes bibliographical references (pages 229-254) and index. | ||
| 505 | 0 | |a Introduction -- The aesthetics of anticipation -- The politics of abstraction -- The counter-literacy of black mixed media -- The local and the global : BLKARTSOUTH and Callaloo -- The satire of black post-blackness -- Black inside/out : public interiority and black aesthetics -- Who's afraid of the black fantastic? The substance of surface -- Epilogue: Feeling black post-black. | |
| 520 | 8 | |a A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic. | |
| 650 | 0 | |a Black Arts movement |y 21st century. |0 http://id.loc.gov/authorities/subjects/sh2003009048 | |
| 650 | 0 | |a Black nationalism. |0 http://id.loc.gov/authorities/subjects/sh85014592 | |
| 650 | 0 | |a African American aesthetics. |0 http://id.loc.gov/authorities/subjects/sh89002903 | |
| 650 | 0 | |a African American arts. |0 http://id.loc.gov/authorities/subjects/sh85001795 | |
| 650 | 0 | |a Arts |x Political aspects |z United States. | |
| 830 | 0 | |a New Black studies series. |0 http://id.loc.gov/authorities/names/no2004109946 | |
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| 952 | f | f | |p Can Circulate |a Michigan State University-Library of Michigan |b Michigan State University |c MSU Art Library |d MSU Art Library |t 0 |e N6490 .C62 2017 |h Library of Congress classification |i Printed Material |m 31293033527486 |n 1 |