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OCoLC |
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20220616164139.0 |
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170608s2017 nhua b 001 0 eng c |
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|a 2016049145
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|a 9781611688504
|q (cloth ;
|q alk. paper)
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|a 1611688507
|q (cloth ;
|q alk. paper)
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|a (OCoLC)962025732
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|a 177605
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|a PUL
|b eng
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|b R55 2017
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|a 700.944/0904
|2 23
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| 100 |
1 |
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|a Riley, Charles A.,
|c II,
|e author.
|0 http://id.loc.gov/authorities/names/n94023046
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| 245 |
1 |
0 |
|a Free as gods :
|b how the Jazz Age reinvented modernism /
|c Charles A. Riley II.
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| 263 |
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|a 1706
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| 264 |
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1 |
|a Lebanon, NH :
|b ForeEdge, An imprint of University Press of New England,
|c [2017]
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| 300 |
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|a xiii, 271 pages :
|b illustrations (some color) ;
|c 24 cm
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references (page 249-258) and index.
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| 520 |
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|a Among many art, music and literature lovers, particularly devotees of modernism, the expatriate community in France during the Jazz Age represents a remarkable convergence of genius in one place and period-one of the most glorious in history. Drawn by the presence of such avant-garde figures as Joyce and Picasso, artists and writers fled the Prohibition in the United States and revolution in Russia to head for the free-wheeling scene in Paris, where they made contact with rivals, collaborators, and a sophisticated audience of collectors and patrons. The outpouring of boundary-pushing novels, paintings, ballets, music, and design was so profuse that it belies the brevity of the era (1918-1929). Drawing on unpublished albums, drawings, paintings, and manuscripts, Charles A. Riley offers a fresh examination of both canonic and overlooked writers and artists and their works, by revealing them in conversation with one another. He illuminates social interconnections and artistic collaborations among the most famous-Fitzgerald, Hemingway, Gershwin, Archibald Motley Jr., and Langston Hughes, and women such as Gertrude Stein and Nancy Cunard.
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| 650 |
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|a Arts, French
|z France
|z Paris
|y 20th century.
|0 http://id.loc.gov/authorities/subjects/sh2009116029
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| 650 |
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|a Avant-garde (Aesthetics)
|z France
|z Paris
|x History
|y 20th century.
|0 http://id.loc.gov/authorities/subjects/sh85010494
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| 650 |
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|a Artists
|x Professional relationships
|z France
|z Paris
|x History
|y 20th century.
|0 http://id.loc.gov/authorities/subjects/sh85008276
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| 651 |
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|a Paris (France)
|x Intellectual life
|y 20th century.
|0 http://id.loc.gov/authorities/subjects/sh85098066
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| 650 |
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|a Artists
|x Professional relationships.
|2 fast
|0 (OCoLC)fst00817611
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| 650 |
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|a Arts, French.
|2 fast
|0 (OCoLC)fst00818019
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| 650 |
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|a Avant-garde (Aesthetics)
|2 fast
|0 (OCoLC)fst00824280
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| 650 |
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|a Intellectual life.
|2 fast
|0 (OCoLC)fst00975769
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| 651 |
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7 |
|a France
|z Paris.
|2 fast
|0 (OCoLC)fst01205283
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| 648 |
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|a 1900-1999
|2 fast
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| 655 |
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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| 776 |
0 |
8 |
|i Online version:
|a Riley, Charles A.
|t Free as gods.
|d Hanover : ForeEdge, An imprint of University Press of New England, 2017
|z 9781512600551
|w (DLC) 2016050627
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| 952 |
f |
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|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Art Library
|d MSU Art Library
|t 0
|e NX549.P2 R55 2017
|h Library of Congress classification
|i Printed Material
|m 31293033528690
|n 1
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