Higher states : Lawren Harris and his American contemporaries / Roald Nasgaard & Gwendolyn Owens.

"Lawren S. Harris is best known for his iconic landscape paintings that declare a sense of cool Canadian resilience. Yet, in the 1920s, an audacious and more colourful interior world began to emerge in his work, and by 1934, he had taken a seemingly unexpected turn toward a transnational career in a...

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Bibliographic Details
Main Authors: Nasgaard, Roald (Author, Organizer)
Owens, Gwendolyn (Author, Organizer)
Corporate Authors: Glenbow Museum (Host institution)
McMichael Canadian Art Collection (Organizer, Host institution)
Other Authors: Harris, Lawren, 1885-1970
Language:English
Published: Fredericton, New Brunswick, Canada : Kleinburg, Ontario : Goose Lane Editions ; McMichael Canadian Art Collection, [2017]
Subjects:
Genre:
Physical Description:201 pages : illustrations (chiefly colour), portraits ; 27 cm
Variant Title:
Lawren Harris and his American contemporaries
Format: Book

MARC

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245 1 0 |a Higher states :  |b Lawren Harris and his American contemporaries /  |c Roald Nasgaard & Gwendolyn Owens. 
246 3 0 |a Lawren Harris and his American contemporaries 
264 1 |a Fredericton, New Brunswick, Canada :  |b Goose Lane Editions ;  |a Kleinburg, Ontario :  |b McMichael Canadian Art Collection,  |c [2017] 
264 4 |c ©2017 
300 |a 201 pages :  |b illustrations (chiefly colour), portraits ;  |c 27 cm 
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500 |a Catalogue of a travelling exhibition held at the McMichael Canadian Art Collection (Kleinburg, Ontario) from Februrary 4 to September 4, 2017; and at the Glenbow Museum (Calgary, Alberta) from October 7, 2017 to January 7, 2018. 
504 |a Includes bibliographical references and index. 
505 0 0 |g Foreward and forward /  |r Sarah Stanners --  |t Harris's modernity :  |t the engineering draughtsman's instruments /  |r Roald Nasgaard --  |t A high sort of seeing :  |t Emerson, Harris, and the American moderns /  |r Gwendolyn Owens --  |g Notes --  |g Select bibliography --  |g List of works --  |g Artist biographies /  |r Emily Baker & Isabella Mello. 
520 |a "Lawren S. Harris is best known for his iconic landscape paintings that declare a sense of cool Canadian resilience. Yet, in the 1920s, an audacious and more colourful interior world began to emerge in his work, and by 1934, he had taken a seemingly unexpected turn toward a transnational career in abstract painting. The social, intellectual, and aesthetic milieu of American transcendentalism shaped a movement of abstract art across North America. Inspired by the ideas of Kandinsky and informed by the writings of Emerson and Whitman, Harris and his North American contemporaries - Georgia O'Keeffe, Marsden Hartley, Katherine Dreier, Raymond Jonson - turned to abstraction to express higher states of consciousness. As Harris's career progressed, as he ascended from mountain tops to inner states of mind, he sought greater and more ethereal spiritual heights. This magnificent volume features reproductions of more than 75 paintings by Harris and his contemporaries. Essays by Roald Nasgaard and Gwendolyn Owens investigate Lawren Harris's exploration of modernity and the evolution of his work towards a form of abstraction that enthusiastically embraced the energies of the ambient visual culture"--  |c Provided by publisher. 
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