Jazz. Part 3, Our Language / Public Broadcasting Service (U.S.).
The stock market surged through the 1920s and jazz was everywhere in America. Now, for the first time, soloists and singers took center stage, transforming the music with distinctive voices and unique stories. This program introduces Bessie Smith, Empress of the Blues, whose songs eased the pain of...
| Corporate Authors: | |
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| Other Authors: | |
| Language: | English |
| Published: |
New York, N.Y. :
Infobase,
[2011], ©2000.
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| Series: | Films on Demand.
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| Subjects: | |
| Genre: | |
| Online Access: | |
| Physical Description: | 1 online resource (110 min.) : sound, color, digital file. |
| Variant Title: |
Our Language |
| Format: | Electronic Video |
MARC
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| 490 | 0 | |a Jazz: A Film by Ken Burns | |
| 500 | |a Encoded with permission for digital streaming by Infobase on June 01, 2011. | ||
| 500 | |a Films on Demand is distributed by Infobase for Films for the Humanities & Sciences, Cambridge Educational, Meridian Education, and Shopware. | ||
| 500 | |a Electronic resource. | ||
| 505 | 0 | |a Individual Jazz Geniuses (5:15) -- Louis Armstrong (2:44) -- Louis Armstrong: Scatting (5:20) -- Sing Like the Devil (6:00) -- Sing Like the Devil - Blues (4:15) -- Sing Like the Devil - Jazz Age (1:14) -- Bix (12:28) -- The Most Dog (4:29) -- The Most Dog - Sidney Bechet in Europe (4:17) -- The Most Dog - Benny Goodman (51:48) -- The Mother of Us All (6:44) -- 'Jelly Roll' Morton (6:18) -- Race Man (9:20) -- Race Man - Duke Ellington's Inspiration (5:38) -- Artie Shaw (5:38) -- Wake Up Bix (8:02) -- Modern Time (5:01) -- 'West End Blues' (0:52) -- Credits: 'Our Language: Ken Burns: Jazz, Part 3' (2:50) | |
| 520 | |a The stock market surged through the 1920s and jazz was everywhere in America. Now, for the first time, soloists and singers took center stage, transforming the music with distinctive voices and unique stories. This program introduces Bessie Smith, Empress of the Blues, whose songs eased the pain of life for millions of black Americans; Bix Beiderbecke, the first great white jazz star, inspired by Louis Armstrong to dedicate his life to the music; and two brilliant sons of Jewish immigrants, Benny Goodman and Artie Shaw, for whom jazz offered an escape from the ghetto. Viewers also follow Duke Ellington's exploits at the Cotton Club and his entry into radio, which brought him national fame, as well as Louis Armstrong's return to Chicago, where he was now billed as "The World's Greatest Trumpet Player" and charted the future of jazz. | ||
| 521 | 2 | |a 8 & up. | |
| 538 | |a Mode of access: Internet. | ||
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| 650 | 0 | |a Music |y 20th century |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh2001000180 | |
| 650 | 0 | |a Musical form. |0 http://id.loc.gov/authorities/subjects/sh85088959 | |
| 650 | 0 | |a Style, Musical. |0 http://id.loc.gov/authorities/subjects/sh85129380 | |
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