Jazz. Part 4, The True Welcome / Public Broadcasting Service (U.S.).

With farms and factories falling victim to the Great Depression, jazz was one of the few American industries poised for explosive growth. This program explores the art form during the first half of the decade, a period in which New York City usurped Chicago as America's jazz capital, Louis Armstrong...

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Bibliographic Details
Corporate Authors: Films for the Humanities & Sciences (Firm)
Infobase
Public Broadcasting Service (U.S.)
Other Authors: Burns, Ken, 1953-
Language:English
Published: New York, N.Y. : Infobase, [2011], ©2000.
Series:Films on Demand.
Subjects:
Genre:
Online Access:
Physical Description:1 online resource (110 min.) : sound, color, digital file.
Variant Title:
True Welcome
Format: Electronic Video

MARC

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505 0 |a Introduction to Jazz in the 1930s (7:30) -- The True Welcome (5:22) -- Mr. Armstrong (3:33) -- Mr. Armstrong - The Star (9:25) -- Mr. Armstrong - (3:10) -- Mr. Armstrong - Historical Change (2:08) -- Lindy Hop at the Savoy (5:27) -- Elegance (4:50) -- Elegance - Orchestrated Blues (4:06) -- Elegance - Harlem and Fats Waller (6:38) -- An American Invention (6:02) -- An American Invention - Armstrong and the Gangsters (4:46) -- Hard Times (5:41) -- Hard Times - John Hammond (2:12) -- Hard Times - FDR and Prohibition (3:42) -- Hard Times - Benny Goodman (9:07) -- Hard Times - Art Tatum (5:29) -- Hard Times - All About Dance (3:05) -- Tremendous Pride (4:33) -- Tremendous Pride - Duke Ellington on Tour (3:07) -- Tremendous Pride - Tragedy and Recovery (4:09) -- Tremendous Pride - Louis Armstrong (2:48) -- Tremendous Pride - Hard Times for Louis Armstrong (2:15) -- A Great Medicine (3:17) -- A Great Medicine - Benny Goodman in Los Angeles (3:27) -- Credits: 'The True Welcome: Ken Burns: Jazz, Part 4' (2:46) 
520 |a With farms and factories falling victim to the Great Depression, jazz was one of the few American industries poised for explosive growth. This program explores the art form during the first half of the decade, a period in which New York City usurped Chicago as America's jazz capital, Louis Armstrong revolutionized Broadway song craft, and Chick Webb forged his big-band sound at the Savoy Ballroom. Viewers also learn of pianists Fats Waller and Art Tatum, who dazzled audiences with stunning virtuosity; of Duke Ellington's ongoing compositional artistry, praised in many quarters as rivaling Stravinsky's work in sophistication; of Benny Goodman's adventures in nationwide broadcasting, which showcased not only his own talents but the stunning arrangements of Fletcher Henderson; and of Goodman's swinging triumph at the Palomar Ballroom in Los Angeles. 
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