Bergman and Faro Island : The Bergman Trilogy / Sveriges television.

The demons don't like fresh air, mutters an aged Ingmar Bergman, revealing two reasons for his self-imposed isolation on a remote Swedish island. The famed director allows journalist Marie Nyrerod and her cameras to invade his solitude, steering this program away from what it could easily be-a depic...

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Bibliographic Details
Corporate Authors: Sveriges television
Films for the Humanities & Sciences (Firm)
Infobase
Language:Swedish
English
Language of the Original:
Swedish
Language and/or Writing System:
Swedish with English subtitles
Published: New York, N.Y. : Infobase, [2012], ©2004.
Series:Films on Demand.
Bergman Trilogy.
Subjects:
Genre:
Online Access:
Physical Description:1 online resource (58 min.) : sound, color.
Variant Title:
Bergman Trilogy
Format: Electronic Video

MARC

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490 1 |a The Bergman Trilogy: Film, the Stage, and Solitude 
500 |a Films on Demand is distributed by Infobase for Films for the Humanities & Sciences, Cambridge Educational, Meridian Education, and Shopware. 
500 |a Electronic resource. 
505 0 |a Introduction: Bergman and Faro Island: The Bergman Trilogy (1:15) -- Strict Routines (3:22) -- Always Directing (3:11) -- Love of Ticking Clocks (1:59) -- Plot to Murder Sister (5:06) -- Need to Organize and Control (2:26) -- Locked in a Morgue (1:41) -- Grandma's Apartment in "Fanny and Alexander" (3:36) -- The Decision to Stay (3:14) -- Incredibly Pleasurable Tensions (3:36) -- Scene From "Saraband" (2003) (3:12) -- The Cinema (3:05) -- Enlightenment Through Music (4:20) -- Obsession With Death (5:27) -- Maybe Ingrid is Waiting (5:07) -- Enormous Number of Demons (5:46) -- Credits: Bergman and Faro Island: The Bergman Trilogy (0:46) 
520 |a The demons don't like fresh air, mutters an aged Ingmar Bergman, revealing two reasons for his self-imposed isolation on a remote Swedish island. The famed director allows journalist Marie Nyrerod and her cameras to invade his solitude, steering this program away from what it could easily be-a depiction of end-of-life regret and loneliness-toward a celebration of living, creating, and communing with nature. Steeped in memories, Bergman nevertheless connects them with his present environment, which, when he first arrived in 1960, gave him "a strange sense of having come home." Faro also presented him with several shooting locations; viewers are shown where Persona was shot as well as a host of other meaningful sites. Archival images supplement this visually rich exploration. 
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546 |a Swedish with English subtitles 
588 |a Title from distributor's description. 
600 1 0 |a Bergman, Ingmar,  |d 1918-2007.  |0 http://id.loc.gov/authorities/names/n79054388 
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710 2 |a Films for the Humanities & Sciences (Firm)  |0 http://id.loc.gov/authorities/names/no2003057097 
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830 0 |a Bergman Trilogy. 
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