Montage and the metropolis : architecture, modernity, and the representation of space / Martino Stierli.
Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this groundbreaking new work, Martino Stierli charts the history of montage in late 19th-centur...
| Main Author: | |
|---|---|
| Language: | English |
| Published: |
New Haven :
Yale University Press,
[2018]
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| Subjects: | |
| Physical Description: | ix, 305 pages : illustrations (some color) ; 26 cm |
| Variant Title: |
Architecture, modernity, and the representation of space |
| Format: | Book |
MARC
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| 003 | OCoLC | ||
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| 050 | 4 | |a NA500 |b .S75 2018 | |
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| 100 | 1 | |a Stierli, Martino, |d 1974- |e author. |0 http://id.loc.gov/authorities/names/no2009070822 | |
| 245 | 1 | 0 | |a Montage and the metropolis : |b architecture, modernity, and the representation of space / |c Martino Stierli. |
| 246 | 3 | 0 | |a Architecture, modernity, and the representation of space |
| 264 | 1 | |a New Haven : |b Yale University Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a ix, 305 pages : |b illustrations (some color) ; |c 26 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 293-300) and index. | ||
| 520 | 8 | |a Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this groundbreaking new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century avant-garde, and its eventual embrace by the postmodernist movement. With chapters focusing on photomontage, the film theories of Sergei Eisenstein, Mies van der Rohe's spatial experiments, and Rem Koolhaas's use of literary montage in his seminal manifesto Delirious New York (1978), Stierli demonstrates the centrality of montage in modern explorations of space, and in conceiving and representing the contemporary city. Beautifully illustrated, this interdisciplinary book looks at architecture, photography, film, literature, and visual culture, featuring works by artists and architects including Mies, Koolhaas, Hannah Hoech, George Grosz, El Lissitzky, and Frank Lloyd Wright. | |
| 650 | 0 | |a Architecture, Modern. |0 http://id.loc.gov/authorities/subjects/sh85006828 | |
| 650 | 0 | |a Architecture and society. |0 http://id.loc.gov/authorities/subjects/sh85006894 | |
| 650 | 0 | |a Montage. |0 http://id.loc.gov/authorities/subjects/sh2008009859 | |
| 650 | 0 | |a Space (Architecture) |0 http://id.loc.gov/authorities/subjects/sh85125907 | |
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| 952 | f | f | |p Can Circulate |a Michigan State University-Library of Michigan |b Michigan State University |c MSU Art Library |d MSU Art Library |t 0 |e NA500 .S75 2018 |h Library of Congress classification |i Printed Material |m 31293036021867 |n 1 |