Escuela.
There are over 800,000 students enrolled in migrant education programs in the U.S. and, of those, only 45-50% ever finish high school. ESCUELA, the sequel to Hannah Weyer's critically acclaimed documentary LA BODA, personalizes these glaring statistics through the honest portrait of a teenage Mexica...
| Uniform Title: | Kanopy films.
|
|---|---|
| Corporate Authors: | |
| Other Authors: | |
| Language: | English |
| Language and/or Writing System: |
In English,Spanish |
| Published: |
[place of publication not identified] :
Women Make Movies,
2002.
2002. |
| Series: | Kanopy films.
|
| Subjects: | |
| Genre: | |
| Online Access: | |
| Physical Description: | 1 online resource (streaming video file) (54 minutes) : digital, .flv file, sound |
| Format: | Electronic Video |
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| 520 | |a There are over 800,000 students enrolled in migrant education programs in the U.S. and, of those, only 45-50% ever finish high school. ESCUELA, the sequel to Hannah Weyer's critically acclaimed documentary LA BODA, personalizes these glaring statistics through the honest portrait of a teenage Mexican-American farm worker, Liliana Luis. ESCUELA is a clear-eyed view into the lives of contemporary Mexican American migrants and their struggles to educate their children while obtaining employment. Centered around the life of Liliana, a daughter entering her first year of high school, Hannah Weyer follows the back-and-forth movement of the family between their home in Texas near the borderlands and the California agricultural fields. Despite the best efforts of the school systems to accommodate students like Liliana, the social and emotional life of this young woman is constantly in flux. This is an important work revealing the difficulties of girl life on the border in a way that no textbook could. - Joe Austin, Popular Culture Studies, Bowling Green University | ||
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