Bowling for Columbine / United Artists and Alliance Atlantis present a Salter Street Films, VIF 2 production ; a Dog Eat Dog Films production ; written, produced and directed by Michael Moore ; produced by Kathleen Glynn, Jim Czarnecki ; producers, Charles Bishop, Michael Donovan.
"In the wake of the Columbine High School massacre in 1999, the intrepid filmmaker Michael Moore set out to investigate the long, often volatile love affair between Americans and their firearms, uncovering the pervasive culture of fear that keeps the nation locked and loaded. Equipped with a camera...
Uniform Title: | Criterion collection ;
928. |
---|---|
Corporate Authors: | |
Other Authors: | |
Language: | English |
Language and/or Writing System: |
English dialogue with optional English subtitles for the deaf and hearing-impaired (SDH). |
Published: |
[New York , New York] :
The Criterion Collection,
[2018]
|
Edition: | Director-approved two-DVD special edition. |
Series: | Criterion collection ;
928. |
Subjects: | |
Genre: | |
Physical Description: | 2 videodiscs (120 min.) : sound, color ; 4 3/4 in. + 1 folded-out leaflet (12 pages : color illustrations, 18 cm). |
Format: | Video DVD |
MARC
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028 | 4 | 2 | |a CC2899D |b The Criterion Collection |
035 | |a (OCoLC)1034805557 | ||
037 | |b Midwest Tape |n http://www.midwesttapes.com | ||
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245 | 0 | 0 | |a Bowling for Columbine / |c United Artists and Alliance Atlantis present a Salter Street Films, VIF 2 production ; a Dog Eat Dog Films production ; written, produced and directed by Michael Moore ; produced by Kathleen Glynn, Jim Czarnecki ; producers, Charles Bishop, Michael Donovan. |
250 | |a Director-approved two-DVD special edition. | ||
257 | |a United States |2 naf | ||
264 | 1 | |a [New York , New York] : |b The Criterion Collection, |c [2018] | |
300 | |a 2 videodiscs (120 min.) : |b sound, color ; |c 4 3/4 in. + |e 1 folded-out leaflet (12 pages : color illustrations, 18 cm). | ||
336 | |a two-dimensional moving image |b tdi |2 rdacontent | ||
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338 | |a videodisc |b vd |2 rdacarrier | ||
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347 | |a video file |2 rdaft | ||
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380 | |a Motion pictures |2 lcgft | ||
490 | 1 | |a The Criterion collection ; |v 928 | |
500 | |a Originally produced as a motion picture in 2002. | ||
500 | |a Accompanied by a fold-out leaflet featuring an essay, "By any means necessary", by critic Eric Hynes. | ||
500 | |a Features: New, high-definition digital restoration; Michael Moore Makes a Movie, a new documentary featuring Moore, chief archivist Carl Deal, field producers Jeff Gibbs and Meghan O'Hara and supervising producer Tia Lessin; Programs covering Moore's return to Colorado in 2002, his 2003 Oscar win, and three film-festival interviews with Moore; Excerpt from a 2002 episode of The Charlie Rose Show featuring Moore; Corporate Cops, a segment from Moore's 2000 television series The Awful Truth; Trailer. | ||
505 | 0 | |a disc one. [Feature film: Bowling for Columbine] -- disc two. [Special features]. | |
511 | 0 | |a Michael Moore, narrator. | |
508 | |a Camera, Brian Danitz, Michael McDonough ; co-director/editor, Kurt Engfehr ; original music, Jeff Gibbs. | ||
520 | |a "In the wake of the Columbine High School massacre in 1999, the intrepid filmmaker Michael Moore set out to investigate the long, often volatile love affair between Americans and their firearms, uncovering the pervasive culture of fear that keeps the nation locked and loaded. Equipped with a camera and a microphone, Moore follows the trail of bullets from Littleton, Colorado and Flint, Michigan, all the way to Kmart's midwestern headquarters and NRA president Charlton Heston's Beverly Hills mansion, meeting shooting survivors, militia members, mild-mannered Canadians, and rock provocateur Marilyn Manson along the way. An unprecedented popular success that helped usher in a new era in documentary filmmaking, the Oscar-winning Bowling for Columbine is a raucous, impassioned, and still tragically relevant journey through the American psyche"--Container. | ||
521 | 8 | |a MPAA rating: R. | |
538 | |a DVD, NTSC, region 1; widescreen (1.85:1 aspect ratio); Dolby Digital 2.0 surround. | ||
546 | |a English dialogue with optional English subtitles for the deaf and hearing-impaired (SDH). | ||
650 | 0 | |a Gun control |z United States. |0 http://id.loc.gov/authorities/subjects/sh2008105453 | |
650 | 0 | |a Firearms ownership |z United States. |0 http://id.loc.gov/authorities/subjects/sh2009124355 | |
610 | 2 | 0 | |a Columbine High School (Littleton, Colo.) |0 http://id.loc.gov/authorities/names/n99259977 |
650 | 0 | |a School shootings |z Colorado |z Littleton. |0 http://id.loc.gov/authorities/subjects/sh2007004956 | |
610 | 2 | 7 | |a Columbine High School (Littleton, Colo.) |2 fast |0 (OCoLC)fst00750505 |
650 | 7 | |a Gun control. |2 fast |0 (OCoLC)fst00949382 | |
650 | 7 | |a School shootings. |2 fast |0 (OCoLC)fst01107761 | |
651 | 7 | |a Colorado |z Littleton. |2 fast |0 (OCoLC)fst01210907 | |
651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
655 | 7 | |a Video recordings for the hearing impaired. |2 fast |0 (OCoLC)fst01710450 | |
655 | 7 | |a Feature films. |2 fast |0 (OCoLC)fst01710384 | |
655 | 7 | |a Documentary films. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2011026205 | |
655 | 7 | |a Feature films. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2011026247 | |
655 | 7 | |a Nonfiction films. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2011026423 | |
655 | 7 | |a Video recordings for the hearing impaired. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2011026725 | |
655 | 7 | |a Documentary films. |2 fast |0 (OCoLC)fst01710390 | |
655 | 7 | |a Nonfiction films. |2 fast |0 (OCoLC)fst01710269 | |
700 | 1 | |a Moore, Michael, |d 1954 April 23- |e film producer, |e screenwriter, |e film director, |e narrator. |0 http://id.loc.gov/authorities/names/n96098247 | |
700 | 1 | |a Glynn, Kathleen R., |e film producer. |0 http://id.loc.gov/authorities/names/no97079961 | |
700 | 1 | |a Czarnecki, Jim, |e film producer. |0 http://id.loc.gov/authorities/names/no2003084687 | |
700 | 1 | |a Bishop, Charles |c (Film producer), |e film producer. |0 http://id.loc.gov/authorities/names/no2018090192 | |
700 | 1 | |a Donovan, Michael |c (Producer), |e film producer. |0 http://id.loc.gov/authorities/names/no2018089939 | |
700 | 1 | |a Engfehr, Kurt, |e editor of moving image work, |e film producer. |0 http://id.loc.gov/authorities/names/no2004014553 | |
700 | 1 | |a Gibbs, Jeff, |e composer (expression) |0 http://id.loc.gov/authorities/names/no2004014555 | |
710 | 2 | |a United Artists (Firm), |e presenter. |0 http://id.loc.gov/authorities/names/no2011020665 | |
710 | 2 | |a Alliance Atlantis (Firm), |e presenter. |0 http://id.loc.gov/authorities/names/no99065039 | |
710 | 2 | |a Salter Street Films, |e production company. |0 http://id.loc.gov/authorities/names/no2003084689 | |
710 | 2 | |a VIF 2 (Firm), |e production company. |0 http://id.loc.gov/authorities/names/no2003107528 | |
710 | 2 | |a Dog Eat Dog Films, |e production company. |0 http://id.loc.gov/authorities/names/no98079922 | |
710 | 2 | |a Criterion Collection (Firm), |e publisher. |0 http://id.loc.gov/authorities/names/no98092622 | |
830 | 0 | |a Criterion collection ; |v 928. |0 http://id.loc.gov/authorities/names/n93124386 | |
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