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20220616040158.0 |
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|a 018495536
|2 Uk
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|a 929412332
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|a (OCoLC)908192566
|z (OCoLC)929412332
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| 037 |
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|b Univ Pr of Mississippi, 3825 Ridgewood rd, Jackson, MS, USA, 39211, (601)4326246
|n SAN 203-1914
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| 040 |
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|a DLC
|b eng
|e rda
|c DLC
|d YDX
|d BTCTA
|d BDX
|d YDXCP
|d OCLCF
|d CDX
|d WEL
|d IAD
|d COO
|d PUL
|d ZCU
|d FHS
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|d CHVBK
|d YUS
|d OCLCQ
|d OCLCO
|d OCLCQ
|d SFR
|d UKMGB
|d CUI
|d EEM
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|a PS338.N4
|b B86 2015
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| 082 |
0 |
0 |
|a 812/.5409896073
|2 23
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| 100 |
1 |
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|a Bunch Davis, Carol,
|e author.
|0 http://id.loc.gov/authorities/names/n2015026661
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| 245 |
1 |
0 |
|a Prefiguring postblackness :
|b cultural memory, drama, and the African American freedom struggle of the 1960s /
|c Carol Bunch Davis.
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| 264 |
|
1 |
|a Jackson :
|b University Press of Mississippi,
|c [2015]
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| 264 |
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4 |
|c ©2015
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| 300 |
|
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|a x, 210 pages :
|b illustrations ;
|c 24 cm
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| 336 |
|
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|a text
|b txt
|2 rdacontent
|
| 337 |
|
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references (pages 190-199) and index.
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| 505 |
0 |
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|a Introduction : The postblack ethos in "Texts out of time" : Rosa Parks and the African American freedom struggle in cultural memory -- "One for whom bread -- Food -- Is not enough" : Beneatha Younger, Uplift ideology, and intellectual freedom -- " A Ghost of the Future" : Racial (Mis)perception and black subjectivity in LeRoi Jones's Dutchman -- "Ghost(s) in the House!" : Black subjectivity and Howard Sackler's The Great White Hope -- Gathering black subjectivities and cultural memory in Alice Childress's Wine in the Wilderness -- Prefiguring postblackness in Charles Gordone's No Place to Be Somebody: A Black Black Comedy in Three Acts -- Postbackness's ancestors and relatives of "The Past Pushing Us into the Present."
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| 520 |
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|a "Prefiguring Postblackness explores the tensions between cultural memory of the African American Freedom Struggle and representations of African American identity staged in five plays produced between 1959 and 1969 during the Freedom Struggle era. Carol Bunch Davis shows how these plays' representations complicate reductive iterations of blackness, which often limit the Freedom Struggle era to Martin Luther King's nonviolent protest and cast Malcolm X's black nationalism as undermining civil rights movement's advances. These five plays strategically revise the rhetoric, representations, ideologies, and iconography of the African American Freedom Struggle, subverting its dominant narrative. This revision critiques racial uplift ideology's tenets of civic and moral virtue as a condition of African American full citizenship, as well as reimagines the Black Arts movement's restrictive notions of black authenticity as a condition of racial identity. These staged representations construct a counter-narrative to cultural memory of the Freedom Struggle in the very midst of that era. In their use of a "postblack ethos" to enact African American subjectivity, the plays envision black identity beyond the quest for freedom, anticipating what blackness might look like when it moves beyond the struggle for collective freedom. The plays range from the canonical (Lorraine Hansberry's A Raisin in the Sun and Amiri Baraka's Dutchman) to celebrated, yet understudied works (Alice Childress's Wine in the Wilderness; Howard Sackler's The Great White Hope; Charles Gordone's No Place to Be Somebody). Finally, Davis discusses recent revivals, showing how these 1960s plays shape dimensions of modern drama well beyond the decade of their creation"--
|c Provided by publisher.
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| 541 |
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|c Gift;
|a Journal of Popular Culture;
|d 2015.
|5 MiEM
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| 650 |
|
0 |
|a American drama
|x African American authors
|x History and criticism.
|0 http://id.loc.gov/authorities/subjects/sh2009114004
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| 650 |
|
0 |
|a American drama
|y 20th century
|x History and criticism.
|0 http://id.loc.gov/authorities/subjects/sh2007100766
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| 650 |
|
0 |
|a African Americans
|x Race identity.
|0 http://id.loc.gov/authorities/subjects/sh85001973
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| 650 |
|
0 |
|a African Americans in literature.
|0 http://id.loc.gov/authorities/subjects/sh85002009
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| 650 |
|
0 |
|a African American theater.
|0 http://id.loc.gov/authorities/subjects/sh85001915
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| 650 |
|
7 |
|a HISTORY
|z United States
|x 20th Century.
|2 bisacsh
|
| 650 |
|
7 |
|a LITERARY CRITICISM
|x Drama.
|2 bisacsh
|
| 650 |
|
7 |
|a African American theater.
|2 fast
|0 (OCoLC)fst00799418
|
| 650 |
|
7 |
|a African Americans in literature.
|2 fast
|0 (OCoLC)fst00799727
|
| 650 |
|
7 |
|a African Americans
|x Race identity.
|2 fast
|0 (OCoLC)fst00799666
|
| 650 |
|
7 |
|a American drama.
|2 fast
|0 (OCoLC)fst00806998
|
| 650 |
|
7 |
|a American drama
|x African American authors.
|2 fast
|0 (OCoLC)fst00806999
|
| 650 |
|
7 |
|a Drama.
|2 gnd
|0 (DE-588)4012899-4
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| 650 |
|
7 |
|a Schwarze
|g Motiv.
|2 gnd
|0 (DE-588)4116434-9
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| 650 |
|
7 |
|a Ethnische Identität
|g Motiv.
|2 gnd
|0 (DE-588)4543530-3
|
| 650 |
|
7 |
|a Bürgerrechtsbewegung
|g Motiv.
|2 gnd
|0 (DE-588)4318003-6
|
| 650 |
|
7 |
|a Kollektives Gedächtnis.
|2 gnd
|0 (DE-588)4200793-8
|
| 651 |
|
7 |
|a USA.
|2 gnd
|0 (DE-588)4078704-7
|
| 650 |
|
7 |
|a Afroamerikaner.
|2 sao
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| 648 |
|
7 |
|a 1900-1999
|2 fast
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| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635.
|
| 907 |
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|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Main Library
|d MSU Main Library
|t 0
|e PS338.N4 B86 2015
|h Library of Congress classification
|i Printed Material
|m 31293036492647
|n 1
|
