Among others : Blackness at MoMA / Darby English and Charlotte Barat ; foreword by Glenn D. Lowry.

"This expansive collection of essays on nearly 200 works in the collection of the Museum of Modern Art is the first substantial exploration of MoMA's uneven historical relationship with black artists, black audiences and the broader subject of racial blackness. By addressing these subjects through t...

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Bibliographic Details
Main Authors: English, Darby, 1974- (Author), Barat, Charlotte (Author)
Corporate Author: Museum of Modern Art (New York, N.Y.)
Other Authors: Lowry, Glenn D. (writer of foreword.), Wilson, Mabel (Mabel O.) (contributing author.)
Language:English
Published: New York : The Museum of Modern Art, [2019]
Subjects:
Genre:
Physical Description:475 pages : illustrations (chiefly color) ; 28 cm
Variant Title:
Among others : Blackness at the Museum of Modern Art
Blackness at MoMA
Blackness at the Museum of Modern Art
Format: Book

MARC

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505 0 0 |t Blackness at MoMA: a legacy of deficit /  |r Charlotte Barat and Darby English --  |t White by design /  |r Mabel O. Wilson --  |t Among others: plates. 
520 8 |a "This expansive collection of essays on nearly 200 works in the collection of the Museum of Modern Art is the first substantial exploration of MoMA's uneven historical relationship with black artists, black audiences and the broader subject of racial blackness. By addressing these subjects through the consideration of works produced either by black artists or in response to race-related subjects, 'Among Others' confronts two kinds of truth: one plainly factual and informative, the other moral. It is equal parts historical investigation and truth-telling about the Museum's role in the history of the cultural politics of race. The richly illustrated volume begins with two historical essays. The first, by Darby English and Charlotte Barat, traces the history of MoMA's encounters with racial blackness since its founding--from an early commitment to African art and solo exhibitions devoted to the work of artists such as William Edmondson and Jacob Lawrence in the 1930s and 1940s, to its activities during the Civil Rights Movement, to the controversial Primitivism show of 1984 and beyond. The second essay, by Mabel O. Wilson, scrutinizes the Museum's record in collecting the work of black architects and designers. Following these essays are nearly 200 plates, each accompanied by an essay by one of the over 100 authors who hail from a range of fields."--Publisher's description. 
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