Stalker.
Andrei Tarkovsky's final Soviet feature is a metaphysical journey through an enigmatic postapocalyptic landscape, and a rarefied cinematic experience like no other. A hired guide-the Stalker-leads a writer and a professor into the heart of the Zone, the restricted site of a long-ago disaster, where...
Corporate Authors: | |
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Other Authors: | |
Language: | Russian |
Language and/or Writing System: |
In English |
Published: |
[place of publication not identified] :
Janus Films (The Criterion Collection),
1979.
1979. |
Series: | Kanopy films.
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Subjects: | |
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Online Access: | |
Physical Description: | 1 online resource (streaming video file) (162 minutes) : digital, .flv file, sound |
Format: | Electronic Video |
Summary: |
Andrei Tarkovsky's final Soviet feature is a metaphysical journey through an enigmatic postapocalyptic landscape, and a rarefied cinematic experience like no other. A hired guide-the Stalker-leads a writer and a professor into the heart of the Zone, the restricted site of a long-ago disaster, where the three men eventually zero in on the Room, a place rumored to fulfill one's most deeply held desires. Adapting a science-fiction novel by Arkady and Boris Strugatsky, Tarkovsky created an immersive world with a wealth of material detail and a sense of organic atmosphere. A religious allegory, a reflection of contemporaneous political anxieties, a meditation on film itself-STALKER envelops the viewer by opening up a multitude of possible meanings. Winner of a Prize of the Ecumenical Jury at the **Cannes Film Festival**. Official Selection at the **Venice Film Festival**. *"Arguably Andrei Tarkovsky's finest masterpiece, the Russian director's 1979 film is the culmination of a career-long preoccupation with memory, trauma and the relationship between subjective perception and physical reality." - Christopher Machell, **CineVue*** |
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Note: | Title from title frames. Film In Process Record. |
Participant or Performer: |
Aleksandr Kaidanovsky, Alisa Freindlikh, Anatoly Solonitsyn, Nikolai Grinko |