Stalker.

Andrei Tarkovsky's final Soviet feature is a metaphysical journey through an enigmatic postapocalyptic landscape, and a rarefied cinematic experience like no other. A hired guide-the Stalker-leads a writer and a professor into the heart of the Zone, the restricted site of a long-ago disaster, where...

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Bibliographic Details
Corporate Authors: Janus Films (The Criterion Collection) (Firm) (Distributor)
Kanopy (Firm) (Distributor)
Other Authors: Tarkovskiĭ, Andreĭ Arsenʹevich, 1932-1986 (Film director)
Kaĭdanovskiĭ, Aleksandr (Actor)
Freĭndlikh, Alisa (Actor)
Solonit︠s︡yn, Anatoliĭ Alekseevich, 1934-1982 (Actor)
Grinʹko, Nikolaĭ, 1920-1989 (Actor)
Language:Russian
Language and/or Writing System:
In English
Published: [place of publication not identified] : Janus Films (The Criterion Collection), 1979.
1979.
Series:Kanopy films.
Subjects:
Genre:
Online Access:
Physical Description:1 online resource (streaming video file) (162 minutes) : digital, .flv file, sound
Format: Electronic Video

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511 0 |a Aleksandr Kaidanovsky, Alisa Freindlikh, Anatoly Solonitsyn, Nikolai Grinko 
520 |a Andrei Tarkovsky's final Soviet feature is a metaphysical journey through an enigmatic postapocalyptic landscape, and a rarefied cinematic experience like no other. A hired guide-the Stalker-leads a writer and a professor into the heart of the Zone, the restricted site of a long-ago disaster, where the three men eventually zero in on the Room, a place rumored to fulfill one's most deeply held desires. Adapting a science-fiction novel by Arkady and Boris Strugatsky, Tarkovsky created an immersive world with a wealth of material detail and a sense of organic atmosphere. A religious allegory, a reflection of contemporaneous political anxieties, a meditation on film itself-STALKER envelops the viewer by opening up a multitude of possible meanings. Winner of a Prize of the Ecumenical Jury at the **Cannes Film Festival**. Official Selection at the **Venice Film Festival**. *"Arguably Andrei Tarkovsky's finest masterpiece, the Russian director's 1979 film is the culmination of a career-long preoccupation with memory, trauma and the relationship between subjective perception and physical reality." - Christopher Machell, **CineVue*** 
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