Emil Nolde : the artist during the Third Reich / Bernhard Fulda ; edited by Bernhard Fulda, Christian Ring and Aya Soika for the Nationalgalerie der Staatlichen Museen zu Berlin and the Nolde Stiftung Seebüll.
"After the Second World War ended in 1945 the Expressionist Emil Nolde (1867-1956) came to symbolise the epitome of the modern German artist persecuted by the National Socialist regime. More works were confiscated from Nolde during the 'Degenerate Art' campaign than from any other artist, and no oth...
| Main Authors: | |
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| Corporate Authors: | |
| Other Authors: | |
| Language: | English |
| Language of the Original: |
German |
| Language and/or Writing System: |
Text in English, translated from the German. |
| Published: |
Munich, Germany : Neukirchen, Germany :
Prestel Verlag ; Nolde Stiftung Seebüll,
[2019]
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| Subjects: | |
| Genre: | |
| Physical Description: | 381 pages : illustrations (some color), portraits, facsimiles, photographs ; 31 cm |
| Format: | Book |
MARC
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| 003 | OCoLC | ||
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| 020 | |a 3791358944 |q (English trade edition : hardcover) | ||
| 020 | |a 9783791358949 |q (English trade edition : hardcover) | ||
| 035 | |a (OCoLC)1105597011 | ||
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| 082 | 0 | 4 | |a 759.3 |2 23 |
| 245 | 0 | 0 | |a Emil Nolde : |b the artist during the Third Reich / |c Bernhard Fulda ; edited by Bernhard Fulda, Christian Ring and Aya Soika for the Nationalgalerie der Staatlichen Museen zu Berlin and the Nolde Stiftung Seebüll. |
| 264 | 1 | |a Munich, Germany : |b Prestel Verlag ; |a Neukirchen, Germany : |b Nolde Stiftung Seebüll, |c [2019] | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 381 pages : |b illustrations (some color), portraits, facsimiles, photographs ; |c 31 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 500 | |a Published in conjunction with the exhibition held at Neue Galerie im Hamburger Bahnhof, Museum für Gegenwart, Berlin from 12 April - 15 September, 2019. | ||
| 504 | |a Includes bibliographical resources (pages 372-375) and index. | ||
| 505 | 0 | 0 | |g Introduction / |r Bernhard Fulda, Aya Soika -- |t The long dispute over expressionism around Nolde / |r Aya Soika -- |t Nolde's autobiography : the misunderstood genius in the struggle for German art / |r Bernhard Fulda -- |t Nolde's anti-Semitism / |r Bernhard Fulda -- |t Jews, fantasy figures, and Vikings / |r Bernhard Fulda -- |t Nolde's war / |r Bernhard Fulda -- |t The 'unpainted pictures' : genesis of a myth / |r Bernhard Fulda -- |t Creating a German post-war legend / |r Bernhard Fulda -- |g Picture section. |
| 520 | 8 | |a "After the Second World War ended in 1945 the Expressionist Emil Nolde (1867-1956) came to symbolise the epitome of the modern German artist persecuted by the National Socialist regime. More works were confiscated from Nolde during the 'Degenerate Art' campaign than from any other artist, and no other artist's works were as prominently pilloried as Nolde's in the initial Entartete Kunst (Degenerate Art) shows that began travelling the country in 1937. In 1941 he was forbidden to practise as an artist. How do Nolde's ostracism and the professional ban fit together with our knowledge that he had been a Party member since 1934 and that he remained loyal to the National Socialist regime until the end of the war? This publication explains Nolde's lasting commitment to National Socialism. It underscores the importance of his work to his autobiography, exposes the consequences of his increasingly radical anti-Semitism, and presents a new perception of the professional ban and the creation of the 'Unpainted Pictures'. Previously unpublished letters and documents, as well as many lesser-known works from the artist's estate at the Stiftung Seebüll Ada and Emil Nolde, provide insight into Nolde's behaviour and artistic practice during the National Socialist era." |c --Publisher's description, lower cover. | |
| 520 | |a This trenchant reconsideration of artist Emil Nolde's life and work deconstructs the myths that have surrounded Nolde's legacy until today. Emil Nolde created some of the most powerful works of the Expressionist movement. Despite the fact that his art was represented more prominently than anyone else's in the infamous exhibition Degenerate Art, he continued to be an ardent sympathizer of the Nazi regime and an admirer of Adolf Hitler. This book provides a comprehensive introduction to Nolde's ambiguous position during the Third Reich. In addition, the book takes a fresh look at Nolde's artistic production during the Nazi period, featuring numerous works which have not yet been published or publicly displayed. Eight illustrated essays draw on a wealth of unpublished letters and documents from the artist's estate that offer new insights into Nolde's artistic practices, his political beliefs, and his anti-Semitism, deconstructing the myths that have surrounded Nolde's legacy until today. | ||
| 518 | |o "Emil Nolde: the Artist During the Third Reich" : |d April 12-September 15, 2019, |p Neue Galerie im Hamburger Bahnhof, Museum für Gegenwart, Berlin, Germany. | ||
| 546 | |a Text in English, translated from the German. | ||
| 600 | 1 | 0 | |a Nolde, Emil, |d 1867-1956 |v Exhibitions. |
| 600 | 1 | 0 | |a Nolde, Emil, |d 1867-1956 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Nolde, Emil, |d 1867-1956 |x Themes, motives. |
| 650 | 0 | |a Expressionism (Art) |z Germany |y 20th century |v Exhibitions. | |
| 650 | 0 | |a World War, 1939-1945 |v Art and the war. |0 http://id.loc.gov/authorities/subjects/sh85148284 | |
| 650 | 0 | |a National socialism and art. |0 http://id.loc.gov/authorities/subjects/sh85090134 | |
| 650 | 0 | |a Fascism and art |z Germany |y 20th century. | |
| 650 | 0 | |a Entartete Kunst |z Germany. | |
| 650 | 0 | |a Art |x Censorship |z Germany |y 20th century. | |
| 650 | 0 | |a Painting, German |y 20th century |v Exhibitions. |0 http://id.loc.gov/authorities/subjects/sh2008108828 | |
| 650 | 0 | |a Male artists |z Germany |y 20th century |v Exhibitions. | |
| 650 | 0 | |a Nazis |z Germany |z Schleswig (Germany and Denmark) |y 20th century. | |
| 600 | 1 | 7 | |a Nolde, Emil, |d 1867-1956. |2 fast |0 (OCoLC)fst00046056 |
| 647 | 2 | 7 | |a World War |d (1939-1945) |2 fast |0 (OCoLC)fst01180924 |
| 650 | 7 | |a National socialism and art. |2 fast |0 (OCoLC)fst01033786 | |
| 648 | 7 | |a 1939-1945 |2 fast | |
| 655 | 7 | |a Exhibition catalogs. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2014026098 | |
| 655 | 7 | |a Essays. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2014026094 | |
| 655 | 7 | |a Illustrated works. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2014026111 | |
| 655 | 7 | |a Art. |2 fast |0 (OCoLC)fst01423702 | |
| 655 | 7 | |a Exhibition catalogs. |2 fast |0 (OCoLC)fst01424028 | |
| 700 | 1 | |a Nolde, Emil, |d 1867-1956, |e artist. |0 http://id.loc.gov/authorities/names/n79135037 | |
| 700 | 1 | 2 | |a Nolde, Emil, |d 1867-1956. |t Works. |k Selections (2019) |
| 700 | 1 | |a Fulda, Bernhard, |e editor, |e author. |0 http://id.loc.gov/authorities/names/n2008064048 | |
| 700 | 1 | |a Ring, Christian, |e editor, |e writer of foreword. |0 http://id.loc.gov/authorities/names/no2010039481 | |
| 700 | 1 | |a Soika, Aya, |e editor, |e author. |0 http://id.loc.gov/authorities/names/no2002008788 | |
| 710 | 2 | |a Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart--Berlin, |e host institution. |0 http://id.loc.gov/authorities/names/no00100710 | |
| 710 | 2 | |a Prestel Verlag, |e publisher. |0 http://id.loc.gov/authorities/names/n85059203 | |
| 752 | |a Germany |b Bavaria |d Munich. | ||
| 752 | |a Germany |b Schleswig-Holstein |d Neukirchen. | ||
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| 952 | f | f | |p Can Circulate |a Michigan State University-Library of Michigan |b Michigan State University |c MSU Main Library |d MSU Main Library - Oversize Collection, 3 West |t 0 |e ND1954.N6 A4 2019 |h Library of Congress classification |i Printed Material |m 31293036824211 |n 1 |