Riffs and relations : African American artists and the European modernist tradition / Adrienne L. Childs ; with contributions by Renée Maurer, Valerie Cassel Oliver.
Riffs and Relations: African American Artists and the European Modernist Tradition presents works by African American artists of the twentieth and twenty-first centuries together with works by the early-twentieth-century European artists with whom they engaged. Black artists have investigated, inter...
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| Language: | English |
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New York, NY : Washington, DC :
Rizzoli Electa ; In association with The Phillips Collection,
2020.
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| Physical Description: | 208 pages : illustrations (some color) ; 29 x 25 cm |
| Variant Title: |
African American artists and the European modernist tradition |
| Format: | Book |
MARC
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| 003 | OCoLC | ||
| 005 | 20220616062822.0 | ||
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| 020 | |a 0847866645 |q hardcover | ||
| 020 | |a 9780847866649 |q hardcover | ||
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| 090 | |a N6538.N5 |b R57 2019 | ||
| 100 | 1 | |a Childs, Adrienne L., |e author. |0 http://id.loc.gov/authorities/names/no2002053533 | |
| 245 | 1 | 0 | |a Riffs and relations : |b African American artists and the European modernist tradition / |c Adrienne L. Childs ; with contributions by Renée Maurer, Valerie Cassel Oliver. |
| 246 | 3 | 0 | |a African American artists and the European modernist tradition |
| 264 | 1 | |a New York, NY : |b Rizzoli Electa ; |a Washington, DC : |b In association with The Phillips Collection, |c 2020. | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 208 pages : |b illustrations (some color) ; |c 29 x 25 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 500 | |a Published on the occasion of the exhibition held at The Phillips Collection, Washington, DC, February 29-May 24, 2020 | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Riffs and relations: an introduction / Adrienne L. Childs -- African art and the modern / Adrienne L. Childs -- Contested bodies: artist/model/muse / Adrienne L. Childs -- Duncan Phillips and community / Renée Maurer -- Abstract relations : a conversation between Valerie Cassel Oliver and Adrienne L. Childs -- Works in the exhibition. | |
| 520 | |a Riffs and Relations: African American Artists and the European Modernist Tradition presents works by African American artists of the twentieth and twenty-first centuries together with works by the early-twentieth-century European artists with whom they engaged. Black artists have investigated, interrogated, invaded, entangled, annihilated, or immersed themselves in the aesthetics, symbolism, and ethos of European art for more than a century. The powerful push and pull of this relationship constitutes a distinct tradition for many African American artists who source the master narratives of art history to critique, embrace, or claim their own space. This groundbreaking catalog--accompanying a major exhibition at the Phillips Collection in Washington, D.C.--explores the connections and frictions around modernism in the works of artists such as Romare Bearden, Pablo Picasso, Faith Ringgold, Renee Cox, Robert Colescott, Norman Lewis, Hank Willis Thomas, Carrie Mae Weems and Henri Matisse. The volume explores how blackness has often been conceived from the standpoint of these international and intergenerational connections and presents the divergent and complex works born of these important dialogues. | ||
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| 700 | 1 | |a Maurer, Renée, |e contributor. |0 http://id.loc.gov/authorities/names/no2013026681 | |
| 700 | 1 | |a Cassel Oliver, Valerie, |e contributor. |0 http://id.loc.gov/authorities/names/no2005074411 | |
| 710 | 2 | |a Phillips Collection, |e host institution. |0 http://id.loc.gov/authorities/names/n79046255 | |
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