The whole picture : the colonial story of the art in our museums & why we need to talk about it / Alice Procter.
Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of th...
Main Author: | |
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Language: | English |
Published: |
London :
Cassell, an imprint of Octopus Publishing Group Ltd,
2020.
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Subjects: | |
Physical Description: | 304 pages ; 16 pages of plates : illustrations, portraits ; 24 cm |
Variant Title: |
Colonial story of the art in our museums & why we need to talk about it
Colonial story of the art in our museums and why we need to talk about it |
Format: | Book |
MARC
LEADER | 00000cam a2200000 i 4500 | ||
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001 | in00006384727 | ||
003 | OCoLC | ||
005 | 20220616121029.0 | ||
008 | 200312s2020 enkaf b 001 0 eng | ||
015 | |a GBC002881 |2 bnb | ||
016 | 7 | |a 019665958 |2 Uk | |
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020 | |a 1788401573 | ||
020 | |a 9781788401579 | ||
020 | |a 9781788401555 | ||
020 | |a 1788401557 | ||
020 | |z 9781788402217 |q electronic publication | ||
035 | |a (OCoLC)1144180505 |z (OCoLC)1131896174 |z (OCoLC)1135289627 |z (OCoLC)1153217048 |z (OCoLC)1192356537 | ||
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050 | 4 | |a N8850 |b .P76 2020 | |
082 | 0 | 4 | |a 306.470941 |2 23 |
100 | 1 | |a Procter, Alice |c (Art historian), |e author. |0 http://id.loc.gov/authorities/names/no2020095631 | |
245 | 1 | 4 | |a The whole picture : |b the colonial story of the art in our museums & why we need to talk about it / |c Alice Procter. |
246 | 3 | 0 | |a Colonial story of the art in our museums & why we need to talk about it |
246 | 3 | |a Colonial story of the art in our museums and why we need to talk about it | |
264 | 1 | |a London : |b Cassell, an imprint of Octopus Publishing Group Ltd, |c 2020. | |
300 | |a 304 pages ; 16 pages of plates : |b illustrations, portraits ; |c 24 cm | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
504 | |a Includes bibliographical references (pages 286-295) and index. | ||
505 | 0 | |a Part I. The palace -- 1. Vases & attitudes -- 2. The sarcophagus -- 3. Pitt's diamond -- 4. An offering -- 5. Forged relics -- Part II. The classroom -- 6. The kangaroo & the dingo -- 7. Mai -- 8. The tiger of Mysore -- 9. Abolitionists -- 10. England's greatness -- 11. The shield -- Part III. The memorial -- 12. A Haida carving -- 13. Mokomokai -- 14. Mining the museum -- 15. Human zoos -- 16. The coffin -- Part IV. The playground -- 17. Museum highlights -- 18. Crowd control -- 19. The ship -- 20. Sugar baby -- 21. Change the date -- 22. Return -- Conclusion -- Endnotes -- Bibliography -- Picture credits -- Index -- Acknowledgements. | |
520 | |a Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space : The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India ; the tattooed Maori skulls collected as 'art objects' by Europeans ; and works by contemporary artists who are taking on colonial history in their work and activism today. The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it. | ||
650 | 0 | |a Museum exhibits. |0 http://id.loc.gov/authorities/subjects/sh96009328 | |
650 | 0 | |a Cultural property |x Repatriation. |0 http://id.loc.gov/authorities/subjects/sh97000184 | |
650 | 0 | |a Human remains (Archaeology) |x Repatriation. |0 http://id.loc.gov/authorities/subjects/sh2001002087 | |
650 | 0 | |a Art museums |x Exhibitions |x Moral and ethical aspects. | |
650 | 0 | |a Art, Colonial. |0 http://id.loc.gov/authorities/subjects/sh85007616 | |
650 | 7 | |a 20.19 art and society: other. |0 (NL-LeOCL)077593812 |2 bcl | |
650 | 7 | |a 20.10 art and society: general. |0 (NL-LeOCL)07759374X |2 bcl | |
650 | 7 | |a Art, Colonial. |2 fast |0 (OCoLC)fst00816140 | |
650 | 7 | |a Cultural property |x Repatriation. |2 fast |0 (OCoLC)fst00885046 | |
650 | 7 | |a Human remains (Archaeology) |x Repatriation. |2 fast |0 (OCoLC)fst00963218 | |
650 | 7 | |a Museum exhibits. |2 fast |0 (OCoLC)fst01030081 | |
650 | 7 | |a Kulturgut. |2 gnd |0 (DE-588)4139819-1 | |
650 | 7 | |a Außereuropäische Kunst. |2 gnd |0 (DE-588)4143631-3 | |
650 | 7 | |a Kolonialismus. |2 gnd |0 (DE-588)4073624-6 | |
650 | 7 | |a Menschlicher Überrest. |2 gnd |0 (DE-588)7619711-6 | |
650 | 7 | |a Restitution |g Kulturpolitik. |2 gnd |0 (DE-588)4322105-1 | |
650 | 7 | |a Museum. |2 gnd |0 (DE-588)4040795-0 | |
650 | 7 | |a Ausstellung. |2 gnd |0 (DE-588)4129601-1 | |
776 | 0 | 8 | |i ebook version : |z 9781788402217 |
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952 | f | f | |p Can Circulate |a Michigan State University-Library of Michigan |b Michigan State University |c MSU Art Library |d MSU Art Library |t 0 |e N8850 .P76 2020 |h Library of Congress classification |i Printed Material |m 31293037195520 |n 1 |