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|a 1263744624
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|b eng
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|a EEMR
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| 050 |
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|a PN1995.9.D6
|b F74 2021
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| 082 |
0 |
4 |
|a 070.18
|2 23
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| 100 |
1 |
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|a French, Lisa,
|d 1961-
|e author.
|0 http://id.loc.gov/authorities/names/n2004030115
|
| 245 |
1 |
4 |
|a The female gaze in documentary film :
|b an international perspective /
|c Lisa French.
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| 264 |
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1 |
|a Cham, Switzerland :
|b Palgrave Macmillan,
|c [2021]
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| 264 |
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|c ©2021
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| 300 |
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|a xvii, 275 pages :
|b illustrations ;
|c 22 cm
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 336 |
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|a still image
|b sti
|2 rdacontent
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| 337 |
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 505 |
0 |
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|a Introduction. PART 1. Chapter 1 -- Women and documentary -- Chapter 2. The Female Gaze. Chapter 3 Aesthetics and the influence of gender -- Chapter 4 Feminisms, Feminist Theory and Documentary Practice -- Part 2 Case Studies : female documentary directors in focus -- Chapter 5 -- Documentary as Artform : Pirjo Honkasalos Cinematic Poetics -- Chapter 6. Transnational Feminism in the Cinema of Kim Longinotto -- Chapter 7. Nishtha Jain : An Auto-ethnographic and a Postcolonial Feminist Gaze -- Chapter 8 -- Marie Mandy : Female Subjectivity and Aesthetics -- Chapter 9 -- A View from the Margins : the films of Nancy D Kates -- Chapter 10 -- Gillian Armstrong : the line between fact and fiction.
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|a Includes bibliographical references and indexes.
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| 520 |
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|a The Female Gaze in Documentary Film an International Perspective makes a timely contribution to the significant rise in interest in recent times in the status, presence, achievements and issues for women in contemporary screen industries. It examines the works, contributions and participation of female documentary directors globally. The central preoccupation of the book is to consider what might constitute a female gaze, an inquiry that has had a long history in filmmaking, film theory and womens art. It fills a gap in the literature which to date has not substantially examined the work of female documentary directors. Moreover, research on sex, gender and the gaze has been relatively infrequently the subject of scholarship on documentary film, particularly in comparison to narrative film or television drama. A distinctive feature of the book is that it is based on interviews with significant female documentarians from Europe, Asia and North America.
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| 650 |
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|a Documentary films
|x Production and direction.
|0 http://id.loc.gov/authorities/subjects/sh85088119
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| 650 |
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|a Women motion picture producers and directors.
|0 http://id.loc.gov/authorities/subjects/sh85147651
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| 650 |
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6 |
|a Documentaires
|x Production et réalisation.
|0 (CaQQLa)201-0117943
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| 650 |
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6 |
|a Productrices et réalisatrices de cinéma.
|0 (CaQQLa)201-0076893
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| 650 |
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7 |
|a Filmmakers.
|2 aat
|0 (CStmoGRI)aat300075154
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| 650 |
|
7 |
|a Documentary films
|x Production and direction.
|2 fast
|0 (OCoLC)fst00896089
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| 650 |
|
7 |
|a Women motion picture producers and directors.
|2 fast
|0 (OCoLC)fst01178163
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| 907 |
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| 952 |
f |
f |
|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Main Library
|d MSU Main Library
|t 0
|e PN1995.9.D6 F74 2021
|h Library of Congress classification
|i Printed Material
|m 31293037813932
|n 1
|
