Jheronimus Bosch : the complete works / Stefan Fischer ; [directed and produced by Benedikt Taschen ; English translation, Karen Williams].
Delicious demons. Deciphering allegories in the complex, fantastical works of Hieronymous Bosch. In the midst of the realist-leaning artistic climate of the Late Gothic and Early Renaissance, Dutch painter Hieronymus Bosch (c. 1450-1516) was more than an anomaly. Bosch's paintings are populated with...
| Uniform Title: | Jheronimus Bosch.
English |
|---|---|
| Main Authors: | |
| Other Authors: | |
| Language: | English |
| Language of the Original: |
German |
| Published: |
Köln :
Taschen,
[2013]
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| Subjects: | |
| Genre: | |
| Physical Description: | 300 pages : illustrations (chiefly color) ; 41 cm |
| Variant Title: |
Hieronymus Bosch [Running title] |
| Format: | Book |
MARC
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| 100 | 1 | |a Bosch, Hieronymus, |d -1516. |0 http://id.loc.gov/authorities/names/n79004071 | |
| 240 | 1 | 0 | |a Jheronimus Bosch. |l English |
| 245 | 1 | 0 | |a Jheronimus Bosch : |b the complete works / |c Stefan Fischer ; [directed and produced by Benedikt Taschen ; English translation, Karen Williams]. |
| 246 | 1 | 7 | |a Hieronymus Bosch |
| 264 | 1 | |a Köln : |b Taschen, |c [2013] | |
| 264 | 4 | |c ©2013 | |
| 300 | |a 300 pages : |b illustrations (chiefly color) ; |c 41 cm | ||
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| 500 | |a Translation of: Jheronimus Bosch : das vollständige Werk. | ||
| 504 | |a Includes bibliographical references (pages 292-297) and index. | ||
| 505 | 0 | |a Perspectives on Bosch -- Family origins and first works 1474-1487 -- Social and artistic ascent 1488-1501 -- In the labyrinth of images : The temptation of St. Anthony c. 1502 -- Nuptial art : The garden of earthly delights c. 1503 -- Art for the king : The last judgement c. 1506 -- Exemplum docet : late works 1504-1516 -- Epilogue. An enigmatic bequest -- Catalogue of paintings -- Catalogue of drawings. | |
| 520 | |a Delicious demons. Deciphering allegories in the complex, fantastical works of Hieronymous Bosch. In the midst of the realist-leaning artistic climate of the Late Gothic and Early Renaissance, Dutch painter Hieronymus Bosch (c. 1450-1516) was more than an anomaly. Bosch's paintings are populated with grotesque scenes of fantastical creatues succumbing to all manner of human desire, fantasy, and angst. One of his greatest inventions was to take the figural and scenic representations known as drolleries, which use the monstrous and the grotesque to illustrate sin and evil, and to transfer them from the marginalia of illuminated manuscripts into large-format panel paintings. Alongside traditional hybrids of man and beast, such as centaurs, and mythological creatures such as unicorns, devils, dragons, and griffins, we also encounter countless mixed creatures freely invented by the artist. Many subsidiary scenes illustrate proverbs and figures of speech in common use in Bosch's day. In his Temptation of St Anthony triptych, for example, the artist shows a messenger devil wearing ice skates, evoking the popular expression that the world was "skating on ice"--Meaning it had gone astray. In his pictorial translation of proverbs, in particular, Bosch was very much an innovator. Bosch - whose real name was Jheronimus van Aken - was widely copied and imitated: the number of surviving works by Bosch's followers exceeds the master's own production by more than tenfold. Today only 20 paintings and eight drawings are confidently assigned to Bosch's oeuvre. He continues to be seen as a visionary, a portrayer of dreams and nightmares, and the painter par excellence of hell and its demons. In this exhaustive book, published in view of the upcoming 500th anniversary of Bosch's death and covering his complete works in huge, splendid reproductions with copious details, art historian and acknowledged Bosch expert Stefan Fischer examines just what it was about Bosch and his painting that proved so immensely influential. | ||
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| 700 | 1 | |a Williams, Karen |c (Translator), |e translator. |0 http://id.loc.gov/authorities/names/no2014143793 | |
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