Selfie aesthetics : seeing trans feminist futures in self-representational art / Nicole Erin Morse.

"In Selfie Aesthetics, Nicole Erin Morse argues that selfies, and selfies by trans feminine creators specifically, interpellate viewers in politically committed encounters. Morse's close readings of individual selfies uncover complex formal strategies that belie the sense that these are artless or d...

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Bibliographic Details
Main Author: Morse, Nicole Erin, 1987- (Author)
Language:English
Published: Durham : Duke University Press, 2022.
Subjects:
Physical Description:xvii, 179 pages : illustrations ; 24 cm
Format: Book

MARC

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245 1 0 |a Selfie aesthetics :  |b seeing trans feminist futures in self-representational art /  |c Nicole Erin Morse. 
264 1 |a Durham :  |b Duke University Press,  |c 2022. 
300 |a xvii, 179 pages :  |b illustrations ;  |c 24 cm 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 |a Doubling -- Gender performatives and selfie improvisatives -- Visibility politics and selfie seriality -- Selfie time(lines) -- Trans feminist futures. 
520 |a "In Selfie Aesthetics, Nicole Erin Morse argues that selfies, and selfies by trans feminine creators specifically, interpellate viewers in politically committed encounters. Morse's close readings of individual selfies uncover complex formal strategies that belie the sense that these are artless or disposable media. Rather than narcissistic or frivolous, selfie creators are artists in political networks who present improvisational identities and new modes of performative resistance. Focusing on four formal strategies-doubling, seriality, collaborative improvisation, and nonlinear temporalities-Selfie Aesthetics shows not only the art of the polysemic form, but also the materialities of trans life that selfies convey. Tracing these strategies in selfies and self-representational art by artists including Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, Selfie Aesthetics demonstrates the aesthetic depth and political utility of selfie creation, distribution, and reception. Contributing to trans feminist political analysis, Selfie Aesthetics shows how digital self-representational art can nuance key insights of queer theory, expand our understanding of self-representation, and construct collective and collaborative modes of being"--  |c Provided by publisher. 
650 0 |a Selfies (Photography)  |x Social aspects. 
650 0 |a Portrait photography  |x Social aspects. 
650 0 |a Portrait photography  |x Political aspects. 
650 0 |a Self-presentation in art.  |0 http://id.loc.gov/authorities/subjects/sh97001427 
650 0 |a Transgender people in art.  |0 http://id.loc.gov/authorities/subjects/sh2015000095 
650 0 |a Transgender artists.  |0 http://id.loc.gov/authorities/subjects/sh2012003841 
650 0 |a Transgender women.  |0 http://id.loc.gov/authorities/subjects/sh2018002623 
650 0 |a Feminism in art.  |0 http://id.loc.gov/authorities/subjects/sh96011526 
650 6 |a Égoportraits  |x Aspect social. 
650 6 |a Portraits (Photographie)  |x Aspect social. 
650 6 |a Portraits (Photographie)  |x Aspect politique. 
650 6 |a Présentation de soi dans l'art. 
650 6 |a Transgenres dans l'art. 
650 6 |a Artistes transgenres. 
650 6 |a Transgenres féminins. 
650 6 |a Féminisme dans l'art. 
650 7 |a PHOTOGRAPHY / Criticism.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE / Media Studies.  |2 bisacsh 
650 7 |a Feminism in art.  |2 fast  |0 (OCoLC)fst00922751 
650 7 |a Portrait photography  |x Social aspects.  |2 fast  |0 (OCoLC)fst01072266 
650 7 |a Self-presentation in art.  |2 fast  |0 (OCoLC)fst01111878 
650 7 |a Transgender artists.  |2 fast  |0 (OCoLC)fst01895683 
650 7 |a Transgender people in art.  |2 fast  |0 (OCoLC)fst01920728 
650 7 |a Transgender women.  |2 fast  |0 (OCoLC)fst02003494 
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