African American literature in transition, 1920-1930 / edited by Miriam Thaggert, SUNY-Buffalo ; Rachel Farebrother, Swansea University.

"African American Literature in Transition, 1920-1930 presents original essays that map ideological, historical, and cultural shifts in the 1920s. Complicating the familiar reading of the 1920s as a decade that began with a spectacular boom and ended with disillusionment and bust, the collection exp...

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Bibliographic Details
Uniform Title:African American literature in transition ; v.9.
Other Authors: Thaggert, Miriam (Editor)
Farebrother, Rachel (Editor)
Language:English
Published: Cambridge ; New York, NY : Cambridge University Press, 2022.
Series:African American literature in transition ; v.9.
Subjects:
Genre:
Physical Description:xx, 369 pages : illustrations ; 23 cm.
Format: Book

MARC

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245 0 0 |a African American literature in transition, 1920-1930 /  |c edited by Miriam Thaggert, SUNY-Buffalo ; Rachel Farebrother, Swansea University. 
264 1 |a Cambridge ;  |a New York, NY :  |b Cambridge University Press,  |c 2022. 
264 4 |c ©2022 
300 |a xx, 369 pages :  |b illustrations ;  |c 23 cm. 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
490 1 |a African American literature in transition;  |v [volume 9] 
500 |a Series numbering from publisher's website. 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction. Expecting more. African American literature in transition, 1920-1930 -- New Negro literary décor. Competing tastes in the 1920s -- The new Negro movement's recording imaginary --Sartorial self-fashioning in the Harlem Renaissance -- Going Dutch. From Renaissance Haarlem to the Harlem Renaissance -- The unmaking of the new Negro mecca -- Subversions of Boasian anthropology in Zora Neale Hurston's great migration fiction and ethnography -- W. E. B. Du Bois and the fluid subject. Dark Princess and the splendid transnational in the Harlem Renaissance -- "The sinful babel of the airshaft". Rudolph Fisher's fiction and religion, urban space, and modernity in the Harlem Renaissance -- Marcus Garvey. Popular culture and Black liberation -- Progression or regression of the Black race? Historically Black colleges and racial uplift in Nella Larsen's Quicksand -- The Midnight Motion Picture Company goes to Europe. The Harlem Renaissance and global white supremacy -- African American magazine modernism. 
520 |a "African American Literature in Transition, 1920-1930 presents original essays that map ideological, historical, and cultural shifts in the 1920s. Complicating the familiar reading of the 1920s as a decade that began with a spectacular boom and ended with disillusionment and bust, the collection explores the range and diversity of Black cultural production. Emphasizing a generative contrast between the ephemeral qualities of periodicals, clothes, and décor and the relative fixity of canonical texts, this volume captures in its dynamics a cultural movement that was fluid and expansive. Chapters by leading scholars are grouped into four sections: "Habitus, Sound, Fashion"; "Spaces: Chronicles of Harlem and Beyond"; "Uplift Renewed: Religion, Protest, and Education," and "Serial Reading: Magazines and Periodical Culture.""--  |c Provided by publisher. 
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700 1 |a Farebrother, Rachel,  |e editor.  |0 http://id.loc.gov/authorities/names/n2009023553 
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