|
|
|
|
| LEADER |
00000cam a2200000 i 4500 |
| 001 |
in00006790958 |
| 008 |
221118t20222022enka b 001 0 eng d |
| 005 |
20230601093449.0 |
| 015 |
|
|
|a GBC2E8534
|2 bnb
|
| 016 |
7 |
|
|a 020722638
|2 Uk
|
| 020 |
|
|
|a 9781526165343
|q (hardback)
|
| 020 |
|
|
|a 1526165341
|q (hardback)
|
| 020 |
|
|
|a 9781526165350
|q (paperback)
|
| 020 |
|
|
|a 152616535X
|q (paperback)
|
| 029 |
0 |
|
|a AU@
|b 000072923559
|
| 029 |
1 |
|
|a ZWZ
|b 267108265
|
| 035 |
|
|
|a (OCoLC)on1350942577
|
| 035 |
|
|
|a (OCoLC)1350942577
|
| 040 |
|
|
|a AU@
|b eng
|e rda
|c AU@
|d MEAUC
|d OCLCF
|d CDX
|d BRX
|d MUU
|d CBY
|d UtOrBLW
|
| 050 |
|
4 |
|a PN1995.9.D6
|b M34 2022
|
| 082 |
0 |
4 |
|a 791.4302/33092
|2 23
|
| 100 |
1 |
|
|a MacDougall, David,
|e author.
|0 http://id.loc.gov/authorities/names/no97031269
|
| 245 |
1 |
4 |
|a The art of the observer :
|b a personal view of documentary /
|c David MacDougall.
|
| 264 |
|
1 |
|a Manchester :
|b Manchester University Press,
|c [2022]
|
| 264 |
|
4 |
|c ©2022
|
| 300 |
|
|
|a xii, 239 pages :
|b illustrations ;
|c 24 cm.
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 336 |
|
|
|a still image
|b sti
|2 rdacontent
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
|
| 490 |
1 |
|
|a Anthropology, creative practice and ethnography (ACE)
|
| 504 |
|
|
|a Includes bibliographical references (pages 228-230), filmography (pages 221-227), and index.
|
| 520 |
|
|
|a "The art of the observer is a personal guide to documentary filmmaking, based on the author's years of pioneering work in the fields of ethnographic and documentary cinema. It stands in sharp contrast to books of academic film criticism and handbooks on visual research methods, being based extensively on concrete examples from the author's own filmmaking experience. The book places particular emphasis on observational filmmaking and the ways in which this approach is distinct from other forms of documentary. It offers both practical insights and reflections on what it means, in both emotional and intellectual terms, to attempt to represent the lives of others. The book makes clear that documentary cinema is not simply a matter of recording reality, but of artfully organising the filmmaker's observations in ways that reveal the complex patterns of social life."--Page [4] of cover.
|
| 505 |
0 |
0 |
|t Part I:
|g 1.
|t The practice of documentary --
|g 2.
|t How the visual makes sense --
|g 3.
|t Observational filmmaking : a unique practice --
|g 4.
|t Ethnographic film : evolution of a concept --
|t Part II:
|g 5.
|t Structuring nonfiction films --
|g 6.
|t Filming in a closed community --
|g 7.
|t Seven types of collaboration --
|g 8.
|t Microstructures of film editing --
|t Part III:
|g 9.
|t Films and feelings --
|g 10.
|t The life of others --
|g 11.
|t The strangers within us --
|g 12.
|t How children see --
|t Part IV:
|g 13.
|t An encounter with Robert Gardner --
|g 14.
|t The percentage of disaster --
|g 15.
|t Clearing customs.
|
| 600 |
1 |
0 |
|a MacDougall, David.
|0 http://id.loc.gov/authorities/names/no97031269
|
| 650 |
|
0 |
|a Documentary films
|x Production and direction.
|0 http://id.loc.gov/authorities/subjects/sh85088119
|
| 650 |
|
7 |
|a Documentary films
|x Production and direction.
|2 fast
|0 (OCoLC)fst00896089
|
| 776 |
0 |
8 |
|i Online version:
|z 9781526165336
|z 9781526165367
|
| 830 |
|
0 |
|a Anthropology, creative practice and ethnography.
|0 http://id.loc.gov/authorities/names/no2019057995
|
| 948 |
|
|
|h HELD BY EEM - 54 OTHER HOLDINGS
|
| 994 |
|
|
|a Z0
|b EEM
|
| 999 |
f |
f |
|s 1b35a804-aa3a-4577-891b-70d12c14dbc4
|i c731745f-a2e8-448d-9fc8-30532a6ea4e5
|t 0
|
| 952 |
f |
f |
|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Main Library
|d MSU Main Library
|t 0
|e PN1995.9.D6 M34 2022
|h Library of Congress classification
|i Printed Material
|m 31293038075333
|n 1
|
