Museum pieces [electronic resource] : toward the indigenization of Canadian museums / Ruth B. Phillips.

Bibliographic Details
Uniform Title:McGill-Queen's/Beaverbrook Canadian Foundation studies in art history ; 7.
Main Author: Phillips, Ruth B. (Ruth Bliss), 1945-
Language:English
Published: Montréal [Québec] ; Ithaca [N.Y] : McGill-Queen's University Press, c2011.
Series:McGill-Queen's/Beaverbrook Canadian Foundation studies in art history ; 7.
Subjects:
Online Access:
Variant Title:
Indigenization of Canadian museums
Museum Pieces: Toward the Indigenization of Canadian Museums (McGill-Queen's/Beaverbrook Canadian Foundation Studies in Art History)
Format: Electronic eBook

MARC

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100 1 |a Phillips, Ruth B.  |q (Ruth Bliss),  |d 1945- 
245 1 0 |a Museum pieces  |h [electronic resource] :  |b toward the indigenization of Canadian museums /  |c Ruth B. Phillips. 
246 3 0 |a Indigenization of Canadian museums 
246 2 |a Museum Pieces: Toward the Indigenization of Canadian Museums (McGill-Queen's/Beaverbrook Canadian Foundation Studies in Art History) 
260 |a Montréal [Québec] ;  |a Ithaca [N.Y] :  |b McGill-Queen's University Press,  |c c2011. 
490 1 |a McGill-Queen's/Beaverbrook Canadian Foundation studies in art history ;  |v 7 
504 |a Includes bibliographical references and index. 
505 0 |a Pt. 1. Confrontation and contestation. Undoing the settler museum : showing off and showing up -- "Arrow of truth" : the Indians of Canada pavilion at Expo 67, with Sherry Brydon -- Moment of truth : The Spirit Sings as critical event and the exhibition inside it -- APEC at the Museum of Anthropology : the politics of site and the poetics of sight bite. 
505 0 |a Pt. 2. Re-disciplining the museum. Exclusions and inclusions : authenticity, sacrality, and possession -- How museums marginalize : naming domains of inclusion and exclusion -- Fielding culture : dialogues between art history and anthropology -- Disappearing acts : traditions of exposure, traditions of enclosure, and the sacrality of Onkwehonwe medicine masks -- Global travels of a Mi'kmaq coat : colonial legacies, repatriation, and the new cosmopolitanism. 
505 0 |a Pt. 3. Working it out. Indigenizing exhibitions : experiments and practices -- Making space : First Nations artists, the national museums, and the Columbus Quincentennial (1992) -- Cancelling white noise : Gerald McMaster's Savage Graces (1994) -- Threads of the Land at the Canadian Museum of Civilization (1995) -- Toward a dialogic paradigm : new models of collaborative curatorial practice -- Inside-out and outside-in : re-presenting Native North America at the Canadian Museum of Civilization and The National Museum of the American Indian (2003-2004) 
505 0 |a Pt. 4. Second museum age. Working with hybridity -- From harmony to antiphony : the Indigenous presence in a (future) Portrait Gallery of Canada -- Modes of inclusion : Indigenous art at the National Gallery of Canada and the Art Gallery of Ontario -- Digital (r)evolution of museum-based research -- "Learning to feed off controversies" : meeting the challenges of translation and recovery in Canadian museums. 
650 0 |a Museums  |x Social aspects  |z Canada. 
650 0 |a Museums and Indians  |z Canada. 
650 0 |a Museums  |x Political aspects  |z Canada. 
650 0 |a Cultural property  |z Canada. 
650 0 |a Museum exhibits  |z Canada. 
651 0 |a Canada  |x Cultural policy. 
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773 0 |t eBook Academic Collection (EBSCOhost) – North America   |d EBSCO 
776 1 |t Museum pieces  |w (OCoLC)ocn719427532  |w (DLC)2012376159 
830 0 |a McGill-Queen's/Beaverbrook Canadian Foundation studies in art history ;  |v 7. 
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