To describe a life [electronic resource] : notes from the intersection of art and race terror / Darby English.

"By turns historical, critical, and personal, this book examines the use of art-and love-as a resource amid the recent wave of shootings by American police of innocent black women and men. Darby English attends to a cluster of artworks created in or for our tumultuous present that address themes of...

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Bibliographic Details
Main Author: English, Darby, 1974- (Author)
Language:English
Published: New Haven, Connecticut : Yale University Press in association with the Hutchins Center for African & African American Research, Harvard University, [2019]
Series:Richard D. Cohen lectures on African & African American art.
Subjects:
Online Access:
Variant Title:
Notes from the intersection of art and race terror
To Describe a Life: Notes from the Intersection of Art and Race Terror
Format: Electronic eBook

MARC

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245 1 0 |a To describe a life  |h [electronic resource] :  |b notes from the intersection of art and race terror /  |c Darby English. 
246 3 0 |a Notes from the intersection of art and race terror 
246 2 |a To Describe a Life: Notes from the Intersection of Art and Race Terror 
264 1 |a New Haven, Connecticut :  |b Yale University Press in association with the Hutchins Center for African & African American Research, Harvard University,  |c [2019] 
490 1 |a Richard D. Cohen lectures on African & African American art 
504 |a Includes bibliographical references (pages 118-129) and index. 
505 0 |a To describe a life -- The painter and the police -- Differing, drawn -- The King's two bodies. 
520 |a "By turns historical, critical, and personal, this book examines the use of art-and love-as a resource amid the recent wave of shootings by American police of innocent black women and men. Darby English attends to a cluster of artworks created in or for our tumultuous present that address themes of racial violence and representation idiosyncratically, neither offering solutions nor accommodaing shallow narratives about difference. In Zoe Leonard's Tipping Point, English sees an embodiment of love in the face of brutality; in Kerry James Marshall's untitled 2015 portrait of a black male police officer, a greatly fraught subject treated without apparent judgment; in Pope. L's Skin Set Drawings, a life project undertaken to challenge codified uses of difference, color, and language; and, in a replica of the Lorraine Motel-the site of Martin Luther King Jr.'s assassination in 1968-a monument to the unfinished business of the integrated nonviolent movement for Civil Rights. For English, the consideration of art is a paradigm of social life, because art is something we must share. Powerful, challenging, and timely, To Describe a Life is an invitation to rethink what life in ongoing crisis is and can be--and, indeed, to discover how art can help"--Jacket. 
650 0 |a African Americans in art. 
650 0 |a Police in art. 
650 0 |a Racism in art. 
650 0 |a Violence in art. 
650 0 |a African American art  |y 21st century. 
650 0 |a Police brutality  |z United States. 
650 0 |a Discrimination in criminal justice administration  |z United States. 
650 0 |a African Americans  |x Violence against  |z United States. 
650 0 |a Art and society. 
650 0 |a Art and race. 
650 0 |a Black people in art. 
773 0 |t A&AePortal   |d Yale University 
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830 0 |a Richard D. Cohen lectures on African & African American art. 
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