Black metal, trauma, subjectivity and sound [electronic resource] : screaming the abyss / by Jasmine Hazel Shadrack.
This important book weaves together trauma, black metal theory and disability into a story of both pain and freedom. Drawing on her many years as a black metal guitarist, Jasmine Hazel Shadrack uses autoethnography to explore her own experiences of gender-based violence, misogyny and the healing pow...
Main Author: | |
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Other Authors: | |
Language: | English |
Published: |
Bingley, United Kingdom :
Emerald Publishing,
2021.
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Edition: | First edition. |
Series: | Emerald studies in metal music and culture.
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Subjects: | |
Online Access: | |
Variant Title: |
Screaming the abyss
Black Metal, Trauma, Subjectivity and Sound: Screaming the Abyss |
Format: | Electronic eBook |
MARC
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020 | |z 9781787569263 | ||
020 | |a 9781787569256 (online) | ||
020 | |a 9781787569270 (online) | ||
035 | |a (EBZ)ebs27428933e | ||
040 | |a UKMGB |b eng |d EBZ | ||
042 | |a lccopycat | ||
050 | 0 | 0 | |a ML3830 |b .S43 2021 |
100 | 1 | |a Shadrack, Jasmine Hazel, |e author. | |
245 | 1 | 0 | |a Black metal, trauma, subjectivity and sound |h [electronic resource] : |b screaming the abyss / |c by Jasmine Hazel Shadrack. |
246 | 3 | 0 | |a Screaming the abyss |
246 | 2 | |a Black Metal, Trauma, Subjectivity and Sound: Screaming the Abyss | |
250 | |a First edition. | ||
264 | 1 | |a Bingley, United Kingdom : |b Emerald Publishing, |c 2021. | |
490 | 1 | |a Emerald studies in metal music & culture | |
504 | |a Includes bibliographical references (pages 203-207) and index. | ||
505 | 0 | |a Interpretive performance autoethnography -- "Women! Stop ruining metal!" : mapping extreme metal -- Black metal's historical analysis : The story of male metal -- The feminine absent -- Of wolves and witches -- Denigrata as performance -- Conclusion : Liber sum : restorative visibility and the feminine present -- Epilogue / Rebecca Lamont-Jiggens -- Peroration : dying words as abominable lifeblood. | |
520 | |a This important book weaves together trauma, black metal theory and disability into a story of both pain and freedom. Drawing on her many years as a black metal guitarist, Jasmine Hazel Shadrack uses autoethnography to explore her own experiences of gender-based violence, misogyny and the healing power of performance. | ||
600 | 1 | 0 | |a Shadrack, Jasmine Hazel. |
650 | 0 | |a Black metal (Music) |x Social aspects. | |
650 | 0 | |a Disabilities and popular music. | |
650 | 0 | |a Misogyny. | |
650 | 0 | |a Feminism and music. | |
650 | 0 | |a Psychic trauma. | |
650 | 0 | |a Music |x Health aspects. | |
700 | 1 | |a Hill, Rosemary Lucy, |e writer of foreword. | |
700 | 1 | |a Lamont-Jiggens, Rebecca, |e writer of added commentary. | |
773 | 0 | |t Emerald Social Sciences eBook Collection |d Emerald Publishing Limited | |
776 | 0 | 8 | |i ebook version : |z 9781787569270 |
776 | 1 | |t Black metal, trauma, subjectivity and sound |w (OCoLC)on1202841332 |w (DLC)2020562341 | |
830 | 0 | |a Emerald studies in metal music and culture. | |
856 | 4 | 0 | |y Access Content Online(from Emerald Social Sciences eBook Collection) |u https://ezproxy.msu.edu/login?url=https://www.emerald.com/insight/publication/doi/10.1108/9781787569256 |z Emerald Social Sciences eBook Collection: 2020 |