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00000cam a22000004a 4500 |
| 001 |
in00002684570 |
| 003 |
OCoLC |
| 005 |
20240215165121.2 |
| 008 |
020214t20022002maua c 000 0 eng |
| 010 |
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|a 2002023007
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| 020 |
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|a 0262025337 (hc : alk. paper)
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| 035 |
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|a (OCoLC)49226066
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|a DLC
|c DLC
|d C#P
|d UtOrBLW
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|a pcc
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|a EEMR
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| 050 |
0 |
0 |
|a NX512.P668
|b W55 2002
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| 082 |
0 |
0 |
|a 700/.92
|2 21
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| 245 |
0 |
0 |
|a William Pope.L :
|b the friendliest Black artist in America /
|c edited by Mark H.C. Bessire.
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| 260 |
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|a Cambridge, Mass. :
|b MIT Press,
|c [2002], ©2002.
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| 300 |
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|a 237 pages :
|b illustrations (some color) ;
|c 27 cm
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
|
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 500 |
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|a Catalog of an exhibition displayed at the Institute of Contemporary Art at Maine College of Art (ICA at MECA), Portland, Maine, July 26-October 17, 2002, and at three other venues through February 2004.
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| 600 |
1 |
0 |
|a Pope.L,
|d 1955-2023
|v Exhibitions.
|0 http://id.loc.gov/authorities/names/n2002016209
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| 600 |
1 |
0 |
|a Pope.L,
|d 1955-2023
|x Criticism and interpretation.
|0 http://id.loc.gov/authorities/names/n2002016209
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| 650 |
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0 |
|a Social conflict in art
|v Exhibitions.
|0 http://id.loc.gov/authorities/subjects/sh97000678
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| 650 |
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0 |
|a African Americans in art
|v Exhibitions.
|0 http://id.loc.gov/authorities/subjects/sh2009113932
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| 700 |
1 |
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|a Pope.L,
|d 1955-2023
|0 http://id.loc.gov/authorities/names/n2002016209
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| 700 |
1 |
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|a Bessire, Mark.
|0 http://id.loc.gov/authorities/names/n96078736
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| 710 |
2 |
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|a Maine College of Art.
|b Institute of Contemporary Art.
|0 http://id.loc.gov/authorities/names/n97053662
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| 907 |
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|y .b39697733
|b 211114
|c 030113
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|t 0
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| 952 |
f |
f |
|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Art Library
|d MSU Art Library
|t 0
|e NX512.P668 W55 2002
|h Library of Congress classification
|i Printed Material
|m 31293023355534
|n 1
|
