|
|
|
|
| LEADER |
00000pam a2200000 i 4500 |
| 001 |
in00005044118 |
| 003 |
OCoLC |
| 005 |
20220616043059.0 |
| 008 |
111013s2012 nyua b 001 0 eng c |
| 010 |
|
|
|a 2011042816
|
| 020 |
|
|
|a 9780203343098 (ebook)
|
| 020 |
|
|
|a 0203343093 (ebook)
|
| 020 |
|
|
|a 9780415898935 (hardcover)
|
| 020 |
|
|
|a 0415898935 (hardcover)
|
| 020 |
|
|
|a 9780415898942 (paperback)
|
| 020 |
|
|
|a 0415898943 (paperback)
|
| 035 |
|
|
|a (CaEvSKY)sky243438573
|
| 035 |
|
|
|a (OCoLC)724641133
|
| 040 |
|
|
|a ICU/DLC
|b eng
|e rda
|c CGU
|d DLC
|d BTCTA
|d YDXCP
|d NhCcYBP
|d SKYRV
|d UtOrBLW
|
| 042 |
|
|
|a pcc
|
| 049 |
|
|
|a EEMM
|
| 050 |
0 |
0 |
|a ML2075
|b .M8797 2012
|
| 082 |
0 |
0 |
|a 781.5/42
|2 23
|
| 245 |
0 |
0 |
|a Music, sound and filmmakers :
|b sonic style in cinema /
|c edited by James Wierzbicki.
|
| 260 |
|
|
|a New York, NY ;
|a Abingdon, Oxon :
|b Routledge,
|c 2012.
|
| 300 |
|
|
|a xv, 210 pages :
|b illustrations, music ;
|c 24 cm.
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
|
| 490 |
1 |
|
|a Routledge music and screen media series
|
| 504 |
|
|
|a Includes bibliographical references and index.
|
| 505 |
0 |
|
|a Introduction : sonic style in cinema / James Wierzbicki -- Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman -- Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather -- "It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters -- Kieslowski's musique concrète / Joseph G. Kickasola -- Gus Van Sant's soundwalks and audio-visual musique concrète / Danijela Kulezic-Wilson -- Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald -- Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee -- Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte -- The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston -- The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro -- The attractions of repetition : Tarantino's sonic style / Lisa Coulthard -- Dream timbre : notes on Lynchian sound design / Isabella van Elferen.
|
| 650 |
|
0 |
|a Motion picture music
|x History and criticism.
|0 http://id.loc.gov/authorities/subjects/sh2008108005
|
| 650 |
|
0 |
|a Sound in motion pictures.
|0 http://id.loc.gov/authorities/subjects/sh2006007387
|
| 650 |
|
0 |
|a Motion picture producers and directors.
|0 http://id.loc.gov/authorities/subjects/sh85088067
|
| 700 |
1 |
|
|a Wierzbicki, James Eugene,
|e editor.
|0 http://id.loc.gov/authorities/names/n86827583
|
| 830 |
|
0 |
|a Routledge music and screen media series.
|0 http://id.loc.gov/authorities/names/no2010000673
|
| 907 |
|
|
|y .b94826651
|b 210127
|c 120607
|
| 998 |
|
|
|a mu
|b 120822
|c m
|d a
|e -
|f eng
|g nyu
|h 0
|i 2
|
| 999 |
f |
f |
|i aaf0af97-098f-5a2a-b888-84194dfaa81d
|s c053ff97-3e79-5a5a-9fe7-41382a910bc3
|t 0
|
| 952 |
f |
f |
|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Music Library
|d MSU Music Library
|t 0
|e ML2075 .M8797 2012
|h Library of Congress classification
|i Printed Material
|m 31293015082492
|n 1
|
