Freiheit für die Konsonanten! ; & Grenzfälle der Schadensregulierung / Alexander Kluge ; Filmmuseum München, Goethe-Institut München.
"Freedom for the consonants! means a radical overhaul of the spelling reform"--Container. "Borderline cases of damage control deals with the insurance cover of at-risk aeroplanes. And from present-day practice: Car racing in the framework of the Olympics, the problems relating to the protection of...
| Uniform Title: | Edition Filmmuseum (Series) ;
32. |
|---|---|
| Corporate Authors: | |
| Other Authors: | |
| Language: | German English Chinese French Portuguese Russian Spanish |
| Language of the Original: |
German |
| Language and/or Writing System: |
In German with optional English, French, Spanish, Protugese, Chinese, and Russian subtitles. |
| Published: |
[Munich] :
Edition Filmmuseum,
2008.
|
| Series: | Edition Filmmuseum (Series) ;
32. |
| Subjects: | |
| Genre: | |
| Physical Description: | 2 videodiscs (approximately 270 min.) : sound, color ; 4 3/4 in. + 1 booklet. |
| Variant Title: |
Freiheit für die Konsonanten! und Grenzfälle der Schadensregulierung.
Freedom for the consonants! |
| Format: | Video DVD |
MARC
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| 003 | OCoLC | ||
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| 008 | 090303s2008 gw 270 vlger d | ||
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| 028 | 1 | 2 | |a 32 |b Edition Filmmuseum |
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| 090 | |a PN1998.3.K598 |b A2532 2008 PAL VideoDVD | ||
| 245 | 0 | 0 | |a Freiheit für die Konsonanten! ; |b & Grenzfälle der Schadensregulierung / |c Alexander Kluge ; Filmmuseum München, Goethe-Institut München. |
| 246 | 3 | |a Freiheit für die Konsonanten! und Grenzfälle der Schadensregulierung. | |
| 246 | 1 | |i English title of title film: |a Freedom for the consonants! | |
| 260 | |a [Munich] : |b Edition Filmmuseum, |c 2008. | ||
| 300 | |a 2 videodiscs (approximately 270 min.) : |b sound, color ; |c 4 3/4 in. + |e 1 booklet. | ||
| 336 | |a two-dimensional moving image |b tdi |2 rdacontent | ||
| 337 | |a video |b v |2 rdamedia | ||
| 338 | |a videodisc |b vd |2 rdacarrier | ||
| 344 | |b optical |2 rda | ||
| 346 | |b PAL |2 rda | ||
| 490 | 1 | |a Edition Filmmuseum ; |v 32 | |
| 500 | |a Issued as part of the boxed set: Alexander Kluge: Das filmische werk. | ||
| 500 | |a Accompanied by a booklet featuring texts by Alexander Kluge in German and English. | ||
| 500 | |a Titles on discs: Disc 1: Freiheit für die Konsonanten! : Deutschland 1992-2008 = Germany 1992-2008 ; Disc 2: Grenzfälle der Schadensregulierung : Deutschland 1992-2008 = Germany 1992-2008. | ||
| 500 | |a "Eine Präsentation der Film & Kunst GmbH in Zusammenarbeit mit dem Filmmuseum München und dem Goethe-Institut."--Container. | ||
| 500 | |a Presented in TV format 4:3; original format 1.37:1. | ||
| 500 | |a Title from container. | ||
| 500 | |a DVD-ROM extras on disc 1 include : "Facts & fakes 1: Verbrechen" ; "Inter/Technik oder Archäologie des zukünftigen Wissens" ; "Grotesker Realismus". | ||
| 500 | |a Videorecording. | ||
| 505 | 0 | |a [Disc 1]. Freiheit für die Konsonanten! (2004, 15 min.) -- Das Fahrzeug ist die zweite Haut (2007, 15 min.) -- Die Sicherheit des Präsidenten (2007, 15 min.) -- "Ich bekenne!" - Die Kaffefahrt (1992, 24 min.) -- "Mit allem Reichtum meiner Nöte" (1999, 24 min.) -- Das Weichziel ist der Mensch (2008, 45 min). | |
| 505 | 0 | |a [Disc 2]. Grenzfälle der Schadensregulierung (2006, 24 min.) -- "Das Quietischen der Macht, wenn sie die Bremsen zieht" (1992, 18 min.) -- Der Abschrecker (2007, 15 min.) -- Wa(h)re Liebe im Fronteinsatz (2001, 11 min.) -- Das Halten von Totenschädeln liegt mir nicht (2001, 45 min.) -- Wer bin "ICH"? - Peer Gynt (2008, 19 min.). | |
| 520 | |a "Freedom for the consonants! means a radical overhaul of the spelling reform"--Container. | ||
| 520 | |a "Borderline cases of damage control deals with the insurance cover of at-risk aeroplanes. And from present-day practice: Car racing in the framework of the Olympics, the problems relating to the protection of US presidents, German troops in the Himalayas, security duties for the G8 summit, resistance work against the German occupiers in Poland and finally, Christoph Schlingensief's productions of Christian Stückl's interpretations of 'Hamlet' and 'Peer Gynt'. 'It is a fact that fantasy exists. However, it is a fantasy that pure fact exists'"--Container. | ||
| 538 | |a DVD (all-region, PAL format): Not compatible with some American DVD players or NTSC-only systems. | ||
| 546 | |a In German with optional English, French, Spanish, Protugese, Chinese, and Russian subtitles. | ||
| 650 | 0 | |a Motion pictures, German. |0 http://id.loc.gov/authorities/subjects/sh91003448 | |
| 655 | 7 | |a Experimental films. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2011026235 | |
| 655 | 7 | |a Short films. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2011026570 | |
| 655 | 7 | |a Documentary films. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2011026205 | |
| 700 | 1 | |a Kluge, Alexander, |d 1932- |0 http://id.loc.gov/authorities/names/n50043439 | |
| 700 | 1 | |a Stollmann, Rainer. |0 http://id.loc.gov/authorities/names/n78046317 | |
| 710 | 2 | |a Münchner Stadtmuseum. |b Abteilung Film. |0 http://id.loc.gov/authorities/names/n84234597 | |
| 710 | 2 | |a Kulturstiftung des Bundes. |0 http://id.loc.gov/authorities/names/no2006057821 | |
| 710 | 2 | |a Goethe-Institut (Munich, Germany) |0 http://id.loc.gov/authorities/names/n50061362 | |
| 710 | 2 | |a Edition Filmmuseum (Firm) |0 http://id.loc.gov/authorities/names/no2006053752 | |
| 740 | 0 | 2 | |a Grenzfälle der Schadensregulierung. |
| 740 | 0 | 2 | |a Borderline cases of damage control. |
| 740 | 0 | 2 | |a Fahrzeug ist die zweite Haut. |
| 740 | 0 | 2 | |a Sicherheit des Präsidenten. |
| 740 | 0 | 2 | |a "Ich bekenne!" - Die Kaffefahrt. |
| 740 | 0 | 2 | |a "Mit allem Reichtum meiner Nöte". |
| 740 | 0 | 2 | |a Weichziel ist der Mensch. |
| 740 | 0 | 2 | |a Quietischen der Macht, wenn sie die Bremsen zieht. |
| 740 | 0 | 2 | |a Abschrecker. |
| 740 | 0 | 2 | |a Wa(h)re Liebe im Fronteinsatz. |
| 740 | 0 | 2 | |a Halten von Totenschädeln liegt mir nicht. |
| 740 | 0 | 2 | |a Wer bin "ICH"? - Peer Gynt. |
| 740 | 0 | 2 | |a Facts & fakes 1: Verbrechen. |
| 740 | 0 | 2 | |a Inter/Technik oder Archäologie des zukünfigen Wissens. |
| 740 | 0 | 2 | |a Grotesker Realismus. |
| 740 | 0 | |a Alexander Kluge: Das filmische werk. | |
| 830 | 0 | |a Edition Filmmuseum (Series) ; |v 32. |0 http://id.loc.gov/authorities/names/no2009089234 | |
| 866 | 0 | |a discs 1-2 & booklet | |
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