Gabriel Orozco : thinking in circles / [curated by] Briony Fer.
This new exhibition takes the 2005 painting 'The Eye of Go' as its starting point, and looks at how the circular geometric motif of this painting - part of a way of thinking for Orozco, a way to organise ideas of structure, organisation and perspective - migrates onto other work, recurring in other...
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| Language: | English |
| Published: |
Edinburgh :
Fruitmarket Gallery,
2013.
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| Physical Description: | 144 pages : color illustrations ; 27 cm + 1 folded insert (25 cm) |
| Variant Title: |
Thinking in circles. |
| Format: | Book |
MARC
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| 005 | 20220616091144.0 | ||
| 008 | 130919s2013 stka cb 000 0 eng d | ||
| 020 | |a 9781908612236 | ||
| 020 | |a 1908612231 | ||
| 035 | |a (CaEvSKY)sky258352944 | ||
| 035 | |a (OCoLC)858804422 | ||
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| 049 | |a EEMA | ||
| 050 | 4 | |a N6559.O755 |b A4 2013 | |
| 100 | 1 | |a Orozco, Gabriel, |d 1962- |e artist. |0 http://id.loc.gov/authorities/names/n94107698 | |
| 245 | 1 | 0 | |a Gabriel Orozco : |b thinking in circles / |c [curated by] Briony Fer. |
| 246 | 3 | 0 | |a Thinking in circles. |
| 260 | |a Edinburgh : |b Fruitmarket Gallery, |c 2013. | ||
| 300 | |a 144 pages : |b color illustrations ; |c 27 cm + |e 1 folded insert (25 cm) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 500 | |a Published on the occasion of the exhibition held at Fruitmarket Gallery, Edinburgh, Aug. 1-Oct. 18, 2013. | ||
| 500 | |a Includes 1 folded insert with installation views and a list of works. | ||
| 504 | |a Includes bibliographical references. | ||
| 520 | 8 | |a This new exhibition takes the 2005 painting 'The Eye of Go' as its starting point, and looks at how the circular geometric motif of this painting - part of a way of thinking for Orozco, a way to organise ideas of structure, organisation and perspective - migrates onto other work, recurring in other paintings, sculptures and photographs. A highlight of the exhibition is a series of large geometric works on acetate, made in the mid 1990s, yet never before exhibited. Rather than surveying the whole range of Orozco's practice, the exhibition seeks to cut a conceptual slice through it, to look deeply into the mechanics of the artist's thinking and working process. Not only does the exhibition propose a different view of Orozco's major contribution to changes in art in the 90s but it brings to the fore the urgent problem of art's 'makeability' now. | |
| 600 | 1 | 0 | |a Orozco, Gabriel, |d 1962- |v Exhibitions. |0 http://id.loc.gov/authorities/names/n94107698 |
| 700 | 1 | |a Fer, Briony. |0 http://id.loc.gov/authorities/names/n92119670 | |
| 710 | 2 | |a Fruitmarket Gallery. |0 http://id.loc.gov/authorities/names/n82028024 | |
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| 952 | f | f | |p Can Circulate |a Michigan State University-Library of Michigan |b Michigan State University |c MSU Art Library |d MSU Art Library |t 0 |e N6559.O755 A4 2013 |h Library of Congress classification |i Printed Material |m 31293033455993 |n 1 |