Take it or leave it : institution, image, ideology / Johanna Burton and Anne Ellegood ; essays by George Baker, Julia Bryan-Wilson, Gavin Butt, and Darby English ; contributions by Ann Butler and Marvin J. Taylor, Ruth Erickson, Leora Morinis, and Corrina Peipon.

"This groundbreaking exploration of appropriation and institutional critique assembles a wide variety of artists and mediums to offer new insight and make unprecedented connections. Exploring two parallel strands of post-conceptual art, Take It or Leave It highlights artists known for their use of a...

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Bibliographic Details
Uniform Title:Take it or leave it (Hammer Museum)
Main Authors: Ellegood, Anne (Author)
Burton, Johanna (Author)
Corporate Author: Hammer Museum
Language:English
Published: Los Angeles : Munich ; New York : Hammer Museum ; Delmonico Books/Prestel, 2014.
Subjects:
Genre:
Physical Description:287 pages : illustrations (some color) ; 27 cm
Format: Book
Description
Summary:
"This groundbreaking exploration of appropriation and institutional critique assembles a wide variety of artists and mediums to offer new insight and make unprecedented connections. Exploring two parallel strands of post-conceptual art, Take It or Leave It highlights artists known for their use of appropriation and those who engage in "institutional critique." Focusing on American artists who emerged from the late 1970s to the early 1990s, the book highlights dynamic practices in a variety of media: from performance to photography; video to installation; painting to writing. Artists as wide-ranging in approach as Dara Birnbaum, Mark Dion, Robert Gober, Barbara Kruger, Zoe Leonard, Glenn Ligon, Adrian Piper, Stephen Prina, and Fred Wilson are examined within the context of the larger culture--from the political landscape to design strategies in advertising. Essays by curators Anne Ellegood and Johanna Burton as well as scholars George Baker, Julia Bryan-Wilson, Gavin Butt, and Darby English explore the historical and current terrain of appropriation and institutional critique, while pursuing topics including the downtown music scene in New York in the '80s, new strategies of painting, and theories of race after identity politics' heyday"-- Provided by publisher.
Note:Published on the occasion of the exhibition held at the Hammer Museum, Los Angeles, February 9-May 18, 2014.
Call Number:N6512.5.A66 T35 2014
Bibliography Note:Includes bibliographical references and index.
ISBN:9783791353425 (hardback)
379135342X (hardback)