Reverse shots : indigenous film and media in an international context / Wendy Gay Pearson and Susan Knabe, editors.

Offers a unique scholarly perspective on current work in the world of Indigenous film and media. Chapters focus primarily on Canada, Australia, and New Zealand and cover areas as diverse as the use of digital technology in the creation of Aboriginal art, the healing effects of Native humour in First...

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Bibliographic Details
Uniform Title:Film + media studies.
Other Authors: Pearson, Wendy G.
Knabe, Susan Margaret, 1962-
Language:English
Published: Waterloo, Ont. : Wilfrid Laurier University Press, [2015], ©2015.
Series:Film + media studies.
Subjects:
Genre:
Physical Description:xi, 372 pages : illustrations ; 23 cm.
Variant Title:
Indigenous film and media in an international context.
Format: Book

MARC

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300 |a xi, 372 pages :  |b illustrations ;  |c 23 cm. 
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337 |a unmediated  |b n  |2 rdamedia 
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490 1 |a Film and media studies series 
504 |a Includes bibliographical references and index. 
505 0 |a Part 1. Dream makers -- Globalizing Indigenous film and media -- He who dreams: Reflections on an Indigenous life in film --Part 2. Decolonizing histories -- Speakin' out Blak: New and emergent Aboriginal filmmakers finding their voices -- Taking pictures (B)lack: The work of Tracey Moffatt -- The journals of Knud Rasmussen: Arctic history as post/colonial cinema -- Australian Indigenous short film as a pedagogical device: Introducing Wayne Blair's The Djarn Djarns and Black talk "Once upon a time in a land far, far away": Representations of the pre-colonial worlk in Atanarjuat, Ofelas, and 10 Canoes -- Part 3. Mediating practices -- Ke Whawhai Tonu Mātou: Indigenous television in Aotearoa/New Zealand -- Superhighway across the sky ... Aboriginal new media arts in Australia: A remix and email conversation between Adam Szymanski and Jenny Fraser -- On collectivity and the limits of collaboration: Caching Igloolik video in the south -- Part 4. Documentary approaches -- The Prince George Métis Elders documentary project: Matching product with process in new forms of documentary -- "Whacking the Indigenous funny bone": Native humour and its healing powers in Drew Hayden Taylor's Redskins, Tricksters, and puppy stew -- Situating Indigenous knowledges: The talking back of Alanis Obomsawin and Shelley Niro -- "I wanted to say how beautiful we are": Cultural politics in Loretta Todd's Hands of history -- Part 5. Other perspectives -- Filming indigeneity as Flânerie: Dialectic and subtext in Terrance Odette's Heater -- Playing with land issues: subversive hybridity in The price of milk. 
520 |a Offers a unique scholarly perspective on current work in the world of Indigenous film and media. Chapters focus primarily on Canada, Australia, and New Zealand and cover areas as diverse as the use of digital technology in the creation of Aboriginal art, the healing effects of Native humour in First Nations documentaries, and the representation of the pre-colonial in films from Australia, Canada, and Norway. 
650 0 |a Indigenous films  |x History and criticism.  |0 http://id.loc.gov/authorities/subjects/sh2007008500 
650 4 |a Indigenous peoples in motion pictures.  |0 http://id.loc.gov/authorities/subjects/sh96003875 
650 0 |a Indigenous peoples and mass media.  |0 http://id.loc.gov/authorities/subjects/sh99013399 
650 7 |a Indigenous films.  |2 fast  |0 (OCoLC)fst01744117. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635. 
700 1 |a Pearson, Wendy G.  |0 http://id.loc.gov/authorities/names/no2006023891 
700 1 |a Knabe, Susan Margaret,  |d 1962-  |0 http://id.loc.gov/authorities/names/no2005103939 
830 0 |a Film + media studies.  |0 http://id.loc.gov/authorities/names/no2008152789 
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