Tattoo traditions of Native North America : ancient and contemporary expressions of identity / Lars Krutak.

For thousands of years astonishingly rich and diverse forms of tattooing have been produced by the Indigenous peoples of North America. Long neglected by anthropologists and art historians, tattooing was a time-honoured traditional practice that expressed the patterns of tribal social organization a...

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Bibliographic Details
Main Author: Krutak, Lars F. (Author)
Language:English
Published: Arnhem : Stichting LM Publishers, [2014]
Subjects:
Genre:
Physical Description:255 pages : illustrations (some color), maps ; 29 cm
Format: Book

MARC

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300 |a 255 pages :  |b illustrations (some color), maps ;  |c 29 cm 
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500 |a "For thousands of years astonishingly rich and diverse forms of tattooing have been produced by the Indigenous peoples of North America. Long neglected by anthropologists and art historians, tattooing was a time-honoured traditional practice that expressed the patterns of tribal social organization and religion, while also channelling worlds inhabited by deities, spirits, and the ancestors. This book explores the many facets of indelible Indigenous body marking across every cultural region of North America. As the first book on the subject, it breaks new ground on one of the least-known mediums of Amerindian expressive culture that nearly disappeared from view in the twentieth century, until it was reborn in recent decades" - Page 4 of cover. 
504 |a Includes bibliographical references (pages 238-250) and index. 
520 8 |a For thousands of years astonishingly rich and diverse forms of tattooing have been produced by the Indigenous peoples of North America. Long neglected by anthropologists and art historians, tattooing was a time-honoured traditional practice that expressed the patterns of tribal social organization and religion, while also channelling worlds inhabited by deities, spirits, and the ancestors.0This book explores the many facets of indelible Indigenous body marking across every cultural region of North America. As the first book on the subject, it breaks new ground on one of the least-known mediums of Amerindian expressive culture that nearly disappeared from view in the twentieth century, until it was reborn in recent decades.0. 
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