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OCoLC |
| 005 |
20220616164135.0 |
| 008 |
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|a 2016056665
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|a 9780226225166
|q hardcover ;
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|a 022622516X
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|q alkaline paper
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|z 9780226225333
|q electronic book
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|a (OCoLC)958779907
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| 040 |
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|a ICU/DLC
|b eng
|e rda
|c CGU
|d DLC
|d YDX
|d OCLCO
|d OCLCF
|d OCLCQ
|d ERASA
|d JSE
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|d YAM
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|a pcc
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|a EEMR
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|a BF408
|b .A83 2017
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| 082 |
0 |
0 |
|a 153.3
|2 23
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| 100 |
1 |
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|a Asma, Stephen T.,
|e author.
|0 http://id.loc.gov/authorities/names/n96071478
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| 245 |
1 |
4 |
|a The evolution of imagination /
|c Stephen T. Asma.
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| 264 |
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1 |
|a Chicago ;
|a London :
|b The University of Chicago Press,
|c 2017.
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| 264 |
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4 |
|c ©2017
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| 300 |
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|a 327 pages :
|b illustrations ;
|c 24 cm
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
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|a The second universe -- The creative body -- Drawing, dreaming, and visual improvisation -- Spinning the yarn : creating with language -- Blowing away the self : creativity and control -- The politics of imagination : trading fours.
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| 520 |
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|a Consider Miles Davis, horn held high, sculpting a powerful musical statement full of tonal patterns, inside jokes, and thrilling climactic phrases all on the fly. Or think of a comedy troupe riffing on a couple of cues from the audience until the whole room is erupting with laughter. Or maybe it's a team of software engineers brainstorming their way to the next Google, or the Einsteins of the world code-cracking the mysteries of nature. Maybe it's simply a child playing with her toys. What do all of these activities share? With wisdom, humor, and joy, philosopher Stephen T. Asma answers that question in this book: imagination. And from there he takes us on an extraordinary tour of the human creative spirit. Guided by neuroscience, animal behavior, evolution, philosophy, and psychology, Asma burrows deep into the human psyche to look right at the enigmatic but powerful engine that is our improvisational creativity the source, he argues, of our remarkable imaginational capacity. How is it, he asks, that a story can evoke a whole world inside of us? How are we able to rehearse a skill, a speech, or even an entire scenario simply by thinking about it? How does creativity go beyond experience and help us make something completely new? And how does our moral imagination help us sculpt a better society? As he shows, we live in a world that is only partly happening in reality. Huge swaths of our cognitive experiences are made up by "what-ifs," "almosts," and "maybes," an imagined terrain that churns out one of the most overlooked but necessary resources for our flourishing: possibilities.
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| 650 |
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|a Creative ability.
|0 http://id.loc.gov/authorities/subjects/sh85033833
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| 650 |
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|a Imagination.
|0 http://id.loc.gov/authorities/subjects/sh85064466
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| 650 |
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7 |
|a Creative ability.
|2 fast
|0 (OCoLC)fst00882417
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| 650 |
|
7 |
|a Imagination.
|2 fast
|0 (OCoLC)fst00967585
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| 907 |
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|t 0
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| 952 |
f |
f |
|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Main Library
|d MSU Main Library
|t 0
|e BF408 .A83 2017
|h Library of Congress classification
|i Printed Material
|m 31293033527734
|n 1
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