The Wedding at Cana by Paolo Veronese / ARTE France.
In The Wedding at Cana, Paulo Veronese transposes the biblical tale of Christ's first miracle to the scene of a sumptuous Venetian banquet. This documentary explores the historical context of 16th century Venice, a wealthy and politically stable city in which artists such as Veronese, Titian, and Ja...
| Uniform Title: | Films on Demand.
Smart Secrets of Great Paintings. |
|---|---|
| Corporate Authors: | |
| Language: | English |
| Language of the Original: |
English |
| Language and/or Writing System: |
Closed-captioned. |
| Published: |
[Place of publication not identified] :
ARTE France,
[2015]
|
| Series: | Films on Demand.
Smart Secrets of Great Paintings. |
| Subjects: | |
| Genre: | |
| Online Access: | |
| Physical Description: | 1 online resource (1 video file (26 min., 21 sec.)) : color and sound. |
| Format: | Electronic Video |
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| 500 | |a Originally released by ARTE France, 2015. | ||
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| 505 | 0 | 0 | |t The Wedding at Cana Introduction |g (2:39) -- |t "The Wedding at Cana" Background and Composition |g (2:56) -- |t "The Wedding at Cana" Story |g (2:57) -- |t Republic of Venice Painters |g (2:13) -- |t Venice Renaissance Architect |g (2:38) -- |t "The Wedding at Cana" Production |g (1:31) -- |t Venice in the 16th Century |g (2:36) -- |t Combining the Sacred and Profane |g (2:32) -- |t Setting the Scene |g (2:39) -- |t "The Last Supper" Controversy |g (2:37) -- |t Credits: The Wedding at Cana by Paolo Veronese: Smart Secrets of Great Paintings |g (0:36) |
| 520 | |a In The Wedding at Cana, Paulo Veronese transposes the biblical tale of Christ's first miracle to the scene of a sumptuous Venetian banquet. This documentary explores the historical context of 16th century Venice, a wealthy and politically stable city in which artists such as Veronese, Titian, and Jacobo Tintoretto were granted freedom from religious censorship. It looks at Palladio's architectural influences, presents a theory that The Wedding at Cana may represent the crowning ceremony of a Doge's wife, and examines how Veronese combines the sacred and profane in his works. Finally, it looks at the painter's use of perspective, colors, and composition. | ||
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