The City and the Soul / BBC Worldwide Ltd.
As the Industrial Revolution promised more and more inexplicable wonders of the modern world, Gothic art and literature became both backward and forward looking. In her novel Frankenstein, Mary Shelley warned of the dangers of how science could get out of control, while Sir Giles Gilbert Scott used...
| Uniform Title: | Films on Demand.
Art of gothic. |
|---|---|
| Corporate Authors: | |
| Language: | English |
| Language of the Original: |
English |
| Language and/or Writing System: |
Closed-captioned. |
| Published: |
[Place of publication not identified] :
BBC Worldwide Ltd.,
[2014]
|
| Series: | Films on Demand.
Art of gothic. |
| Subjects: | |
| Genre: | |
| Online Access: | |
| Physical Description: | 1 online resource (1 video file (50 min., 35 sec.)) : sound, color. |
| Format: | Electronic Video |
MARC
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| 264 | 1 | |a [Place of publication not identified] : |b BBC Worldwide Ltd., |c [2014] | |
| 264 | 3 | 2 | |a New York, N.Y. : |b distributed by Infobase, |c 2015. |
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| 300 | |a 1 online resource (1 video file (50 min., 35 sec.)) : |b sound, color. | ||
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| 490 | 1 | |a The Art of Gothic | |
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| 500 | |a Electronic resource. | ||
| 505 | 0 | 0 | |t The City and the Soul: Introduction |g (2:35) -- |t Joseph Wright of Derby |g (4:32) -- |t Mary Shelley |g (2:46) -- |t "Frankenstein" |g (1:36) -- |t Rejection and Revenge |g (1:18) -- |t William Blake |g (2:37) -- |t Penny Dreadfuls |g (2:10) -- |t Charles Dickens |g (4:12) -- |t John Martin |g (3:41) -- |t Medieval Obsession |g (3:38) -- |t Augustus Pugin |g (3:07) -- |t British House of Parliament |g (3:40) -- |t St. Giles Church, Staffordshire |g (3:25) -- |t Widow of Windsor |g (3:45) -- |t Holloway Sanatorium |g (2:36) -- |t Architecture and Mental Health |g (2:25) -- |t Reviewing the Two Faces of Gothic |g (1:13) -- |t Credits: The City and the Soul |g (0:44) |
| 520 | |a As the Industrial Revolution promised more and more inexplicable wonders of the modern world, Gothic art and literature became both backward and forward looking. In her novel Frankenstein, Mary Shelley warned of the dangers of how science could get out of control, while Sir Giles Gilbert Scott used Gothic architecture to memorialise Prince Albert as a medieval hero. Meanwhile, poets indulged in hallucinatory drugs to reach new Gothic heights. Where would it all end? | ||
| 521 | 2 | |a 9 & up. | |
| 538 | |a System requirements: FOD playback platform. | ||
| 546 | |a Closed-captioned. | ||
| 588 | |a Title from distributor's description (Infobase, September 3, 2015). | ||
| 600 | 1 | 0 | |a Scott, Giles Gilbert, |c Sir, |d 1880-1960. |0 http://id.loc.gov/authorities/names/nr99007796 |
| 600 | 1 | 0 | |a Shelley, Mary Wollstonecraft, |d 1797-1851. |t Frankenstein. |0 http://id.loc.gov/authorities/names/n84007242 |
| 650 | 0 | |a Art, Gothic. |0 http://id.loc.gov/authorities/subjects/sh85007682 | |
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